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Wednesday, May 15, 2024

Concrete Sundays

s/t   EP

(Bollmora Rekords)



A four-track rampage in which merry infectiousness is wed to blast-furnace conflagrations. Jolt upon jolt summon to mind's eye sweaty mobs shouting choruses in graffitied dives packed beyond capacity. "We like beer, pizza, and come from Stockholm," they declare online, letting mighty affronts provide further elucidation.

Recommended: "Runaway," "Holloway Road," "Losing Battle," "Concrete Sunday"

Video: "Holloway Road"


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Exat

Letzke an der Bar (Last One At the Bar)   two -track single

(Rock Zone Records)



Everything is louder than everything else in this brutality. Guttural call-and-response bellowings flare defiantly amid ear-splitting agitation hurtling toward exultant demolition. Stomped with pride.

Recommended: "Der Letzke an der Bar," "Der Capt'n ist an Bord"

Video: "Der Capt'n ist an Bord"

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Rule O.K

"Believe"   single

(Netrillis Music)




Under strong whip, chorded aggression storms relentlessly. Of course skins are furiously abused and gravelly exhortations smash without looking back. Thrashed bar-chords batter. This is the Ramones' headlong legacy, with coarse propellant splashed liberally.

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Back In the Day, 2006

Fats Waller

The Very Best Of...

(Collector's Choice)



Essential evidence that folks got natural kicks long before Rock'n'Roll. Waggish Fats' puffed-chest stride piano and the bounce of his hip sidemen sparked the ignitions of everyone from bawdy-house carousers to High Hats in their snoot suits. That the man frequently tossed off sometimes salacious lyrics with a cocked eyebrow and leer assured all they could let hair down and be as earthy as humanity urged. Muted-trumpet antics and step-lively traps maintained the hustle, to the elation of assorted wrigglers and in-corner grapplers. 

How many blessed events ensued? "One never knows, do one?"

Recommended: "Handful Of Keys," "The Minor Drag," "Ain't Misbehavin'," "How Can You Face Me," "I'm Gonna Sit Right Down and Write Myself a Letter," "Dinah," "Truckin'," "When Somebody Thinks You're Wonderful," "I Got Rhythm," "It's a Sin To Tell a Lie," "Until the Real Thing Comes Along," "The Curse Of An Aching Heart," "Honeysuckle Rose," "Hold Tight (Want Some Seafood Mama"

Videos: "Honeysuckle Rose,"  "The Joint Is Jumpin'," "Your Feet's Too Big"


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Monday, May 13, 2024

Louis King

Little Devil!

(Self-issued)




The joint is rocking. Instruments including rollicking ivories and horns busting wide with joy throw out the Big Beat jitterbugs crave. A burlesque teaser is swinging on the chandelier. Louis rears back and looses good-hearted celebration, his exclamations bouncing between shaking walls. Comes variegation: the surprisingly understated closer delights with smoldering potency.

Recommended: "Count Me In," "She's Trouble," "You Tarzan, Me Jane," "Little Devil," "When You Sing," "Baby Loves To Mambo," "Goodnight Baby" (feat. Ezra Lee), "Closin' Time" (feat. Aisha Khan)


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Toini & Rio Bravo

"Don't Ever Leave Me Again"   single

(Musikkpartner)



By advising that this swaybacked pleasantness was culled from the Patsy Cline songbook, I'll have conveyed its essence. But to that, I would add it is here rendered with due respectfulness, allure born of devotion, and brick-solid classic Country unwinding that sports Bluesy elegance. If only the Opry still maintained its Tennessee stage...

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Los Pistoleros

"Home For the Heartless"   digital single

(Self-issued)



Previous Los Pistoleros experience attested so vigorously to members' adroitness with ampheteminized Psycho that the measured endeavor now at hand gives pause. But intensity portrayed at a rumbling crawl, and with vocals conformative to melody's dictates, offers formidability all its own. In closing seconds, familiar rocketship velocity explodes and one is again overwhelmed by characteristic uproar.

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The Ramblin' Sweethearts

"Aching For You"   single

(Self-issued)



Already forming is a line of roots-music afficianados hungry for the Sweethearts' debut EP, slated for summer issuance. This rouser will tide them over. Its simplicity and exuberance serve the time-honored ambition of giving dancers abundant reason for jubilation. Rock'n'Roll will never die.

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Saturday, May 11, 2024

Tristan Thorndyke's Rock'n'Roll Cannibals

Carne Pleasures

(Self-issued)



Bursting from this backstreet compendium is madly dashing Rock'n'Roll for which unadorned guitar is a 'you talkin' to me?'  ringleader. Every man involved flexes muscle. The absence of studio artificiality allows for Tristan's vocal acrobatics to fly unhindered. Direct and bracing. (The definition of "carne" makes clear the CD title's winked allusion.)

Recommended: "I Wanna Scream," "Distract Me," "The Hoodoo Hop," "Cadaver Dog," "1, 2,3,4," "Liquid Hate," "Shot in the Boys Room," "Space Lazer," "Terminate," "Live a Little Bit"

Video: "I Wanna Scream"


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The Balboas

"Scorched"   single

(Burn and Surf)



While seasoned cats skim their planks atop cresting pipelines and gremmies flounder, the Balboas throw sand to the delight of gyrating and carefree untamed youth. Laughs and whoops soar to blue skies. Forward-racing guitar licks curl and unwind like cobras hip to the tip. Sure, this Dick Dale ripper harkens back to days predating the lamentable British Invasion, but it does so with Now brashness.

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The City Kids

More Filth!!!!

(Very Fried Artists)



Whether thundering in congested clubs or before arena masses, full-bore, uber-muscular metallic Rock'n'Roll so urgent grabs and transfixes. Key to mammoth chord-slabs' persuasiveness is song construction artfully mindful of proper methodology. Brawn plus brains totals potency.

Recommended: "Don't Try," "Falling Down," "You Won't Stop," "Where Were You?," "You're Not Alone," "Dead To Me" (feat. Eddie Spaghetti)

Video: "Don't Try"


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Back In the day, 1991

The Monsters

The Hunch

(Voodoo Rhythm Records)



Stitched in 1986, these unnerving Swiss monstrosities turned the same soil as NYC lurchers the Cramps. Their trashy offerings were of insistent and fuzz-filled personality. Horror tropes common to cursed drive-ins lurked in assaults that reeked of 1950s swagger and 1960s Garage Punk. Also casting its shadow was primitive, burgeoning Psychobilly so blunt as to bash skulls bloody.

The Hunch was the second of seven Monsters LPs. Initially issued on green vinyl, it was rereleased as a CD in 2013.

Recommended: "The Creature From the Black Lagoon," "Hang On," "Sex Wax," "Drug Train," "Day Of the Triffids," "Drag Is Back," "Wicked Wanda," "Teenage Werewolf," "The Kinks," "Psycho Over Europe"

Video: "Day Of the Triffids"


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Thursday, May 9, 2024

Dorsey Burnette

The Rockabilly Years: The Singles & Albums Collection 1955 - 1962

(Acrobat Music)



As one-third of Johnny Burnette and the Rock'n'Roll Trio, Dorsey was a powerhouse. His doghouse negotiations lent rock-ribbed substance to the combo's abandon, which also featured Johnny's acoustic flailings and grained-throat emotings as well as Paul Burlison's influential Telecaster sparks.

Logically, then, much of the first disc offers smoldering Trio waxings. But once Dorsey had departed the group and musical fashions changed -- wildcat Rockabilly was replaced by smooth, commodified sounds that featured satiny backing choruses and sterile strings -- many of his efforts seemed placid.

(Identical defanging was witnessed in the late 1970s and 1980s. Grassroots-generated Punk -- a surly rejection of corporate-processed Rock product in which interminable opuses included meandering guitar noodling and boring drum solos -- was reinvented by major record companies as fun-for-the-whole-family New Wave.)

To be sure, Dorsey was possessed of a full and booming voice that commanded center spotlight on even listless material. And there certainly are remarkable moments among his post-Trio endeavors. One hears Country Music evolution, and sometimes quite clever songcraft.

Burnette completists who don't already harbor these sides will pursue purchase. But those interested in Rockabilly's gestational period, when primitive Hillbilly and uptempo Blues found one another on nighttime stages and tore the roof off the joint, are advised to concentrate attentions on the Trio. 

Recommended, disc one: "You're Undecided," "Go Mule Go," "Tear It Up," "Midnight Train," "Oh Baby Babe," "Train Kept A-Rollin'," "Honey Hush," "Let's Fall In Love," "Lonesome Train (On a Lonesome Track)," "I Just Found Out," "At a Distance," "Eager Beaver Baby," "Drinkin' Wine Spo-Dee-O-Dee," "Rock Billy Boogie," "Til the Law Says Stop," "Misery," "Way In the Middle Of the Night," "Your Love," "Blues Stay Away From Me," "House With a Tin Roof Top," "Circle Rock"

Recommended, disc two: "(There Was a) Tall Oak Tree," "Hey Little One," "This Hotel," "Hard Rock Mine," "Great Shakin' Fever," "That's Me Without You," "Rainin' In My Heart," "Back To Nature," "The Boys Kept Hangin' Around," "Hard Working Man," "That Lucky Old Sun," "I Got the Sun In the Morning," "Don't Let Go"

Videos: "Go Mule Go," "I Got the Sun In the Morning"


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MVD Entertainment Group


The Corps

Fractured Protocol

(Thousand Islands Records)



Here circulates an example of the formidabilty that rises when smart writing cognizant of compositional Rock'n'Roll standards throws in with instrumental brawn loud enough to shatter frontal lobes. As memories of experiencing them live may blur -- given the combination of rapid-fire assaults, surrounding bacchanalian throngs, and foamy amusements -- this disc may be the most reliable opportunity for lucid recollection.

Recommended: "Tragedy," "Dog Of War," "Buried On Sunday," "Born On a Monday," "Red Horizon," "Ionized," "New Gods," "Riddle Me This"

Video: "Red Horizon"


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Joe Dee and his JetTones

Blind Alley Melody

(Rebel Music Records)



Some render vintage-inflected stylings through state-of-art equipment, that their output can ease into contemporary context. But not pomped Joe and his swinging cohorts. They are of the school that holds sounds owing to yesteryear ring most worthwhile when essayed via time-tested methods. And the folly of disputing that contention becomes apparent as this just-plain-moving disc shouts its purity. Direct Rockabilly this marvelously uncluttered resounds today as vigorously as when Ike sat behind the Resolute Desk.

Recommended: "I'll Be Gone," "The Girl Never Cries," "Love My Baby," "Dreamers Like Me," "Last Train," "I'm Snowed," "Danger's In the Air," "Until My Last Day"

Video: "I'll Be Gone"


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Fast Blood

Sunny Blunts

(Sangre Rapida Records)



Hurling musical-note bricks through Newcastle plate glass are four agitators for whom bar-chords and thrashed drum-heads are tools by which fury can be raised up. They effectively flip off ponderous abstractions, instead pummeling ears with pugilism to which beer mugs can be smashed. Mick at the Just Some Punk Songs blog advises that a limited-edition vinyl version won't be available from Sangre Rapida until July. But a digital release is presently accessible on Bandcamp.

Recommended: "Sexual Healing," "Salvation," "Gone For Good," "Hold On Me," "Rum & Soda," "Eyes Wide Shut"

Video: "Sexual Healing"


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Monday, May 6, 2024

Chip Hanna and the Berlin Three

Days Gone By

(Igloo Records)



Upon learning of Chip's Punk-drummer resume (U.S. Bombs, One Man Army), listeners unacquainted with his solo incarnation may anticipate Country Music ravaging. But those wise to his ways know that he comes not to destroy that rustic idiom, but to throw arms about its truest nature - while injecting amphetemine boot-juice. Barn-dance fiddle and marvelously bent-string guitars touch shoulders with loose-limbed "Yee haw" drawling and percussive exuberance to produce robust traditionalism sporting fresh glad-rags. Bopping across hardwood, you'll exult in this honesty while lamenting that, elsewhere in corporate clawed-hands, Peoples' Music has been made a eunuch.

Recommended: "Sweet Mental Revenge," "The Way We Were," "Everybody Needs a Wall," "Tossin' & Turnin'," "Anything At All," "Ten Dollar Bill," "Purgatory Breakdown," "Karianne," "The Last Cowboy Guitar," "Max Hanner"

Video: "The Way We Were"

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Polecats

EP One

(Self-issued)



Yet a-thrive is the engaging party lilt that long characterized these Neo-Rockabilly celebrities. No one remained seated when the Polecats rocked houses back in the day, nor will they now. Underlying the fun whipped-topping, though, is substance without which the foursome could never have secured loftiness.

Recommended: "Crepe Soul," "Volcano," "Devil On the Radio," "India Rubberman"

Video: "Crepe Soul" (live)


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Jungle Records


V/A

Music From Another World

(Jungle Room Records)



Wigged-out visitors from outer planets assuming forms of Jazz, Lounge, and assorted novelties swoop and hover from this oddball compendium. Included are excerpts from movies 2001: A Space Odyssey, Disney's Mars and Beyond, Frankenstein Meets the Space Monster, Bobby and Betty Go To the Moon, and an Astro Zombies radio ad. Rank beside Dr. Demento and Lux and Ivy's rescued eccentricities. 

Recommended: "Fly Me To the Moon" (Louis Prima)" "Astro Twist" (Steven Garrick and his Party Twisters), "The Green Slime" (Richard Delvy), "Eggpulant That Ate Chicago" (Big Maybelle), "Telstar" (Billy Vaughn and his Orchestra), "Man From the Moon" (Chaperones), "The Mechanical Man" (Bent Bolt and the Nuts), "Flowers From Venus" (The George King - Joe Corney Organ Sounds), "Saturn" (The Marketts)

Videos: "The Eggplant That Ate Chicago" (Big Maybelle) "The Mechanical Man"  (Bent Bolt and the Nuts)


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                                                                    Big Maybelle

Chip Whitson & Ray Roehrborn

"Good Man Down"   digital single

(Self-issued)




A stout anthem for every man who's gotten his hands calloused to satisfy bill collectors and put food on the family table, only to get a pink slip shoved toward him at day's end. Harmonies and earthy instrumentation surge at medium tempo, lending apt support to real-world messaging. Puts in mind a saying variously worded and of unclear authorship: 'God must love common folks, because he made so many of them.' 

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Friday, May 3, 2024

Ghoultown

"I Am the Undead"   digital single

(Monstro Productions)



The infamous mesa-haunting wraiths were solicited to etch this somber, pensive declaration for immersive stealth FPS Blood West. Bone-cold determination is a core surrounded by echo-clad desolateness. Legions familiar with Ghoultown's occult-western oeuvre will savor characteristically commanding guitars and Count Lyle's weathered drawl-from-under-the dust. Grim satiation awaits those fresh to the matter.

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Wine Lips

Super Mega Ultra

(Stomp Records)



Aggression forced through a pop strainer. Vibrant hues bloom all over the place, a mighty guitar crashing forward and upward with abandon. But don't misapprehend. Method underlies seeming bedlam. The architects of this audaciousness know exactly the course they crave.

Recommended: "Derailer," "High On Your Own Supply," "Fried IV,"  "Stimulation," "Six Pack," "Seratonin," "Lemon Party"

Video: "Stimulation"


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Box 13

"End Of the Night"   single

(Self-issued)



Rock'n'Roll agitation beyond governance flies down a moonlit road, exhilarating gusts of reckless-kicks winds whistling past. Stop signs are blurs. Screaming guitars urge action. Ending-point is inconsequential. Headlong spree is its own reward. 

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Kris Bone

Reverb Renditions

(Self-issued)



A benefit of Surf instrumentals (besides the hip-shaking one) is their inspirational spell over imaginations. Visions ambitious and bewitching, of sun-strobed American sands and galactic vistas unglimpsed by human eyes, unfold within the mind. Opportunity for just such dreaming is offered by these sprightly revisits to numbers by the Surftones, Sandy Nelson, the Pyramids, and the Tornadoes. Six-string artisan Kris honors those predecessors while igniting sparks of his own devising, in an outing appropriately awash in reverb splashings. 

Recommended: "CeciliaAnn," "Casbah," "Penetration," "Bustin' Surfboards"

Video: "Cecilia Ann"


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Wednesday, May 1, 2024

Dave Crimmen

"When She Was Mine"   single

(Self-issued)



Rocker Dave undertakes balladeering with top-drawer results. Legendary Elvis accompanists the Jordanaires bolster the singing star's tones, their majestic assurance lending sheen. Credit for birthing booms can be accorded such aching melancholia.

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                                                         Dave with the Jordanaires

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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..