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Wednesday, March 5, 2025

Back In the Day, 1981

Big Daddy Sun and the Outer Planets

Rockabilly

(Jazzbo)



The present reviewer tore shrink wrap from this independent LP upon its maiden issuance. Still in my collection, it stands as a fine relic of an era that saw Robert Gordon, the Rockats, Stray Cats, and Ronny Weiser's California constellation waxing numerous significant platters. (Europe, too, offered abundant examples.) But this release enjoyed the distinction of Illinois origin. And the particularity it evidenced stemmed from that 'flyover country' germination. 

(Also of Middle-American coinage in that era were Hi-Fi and the Roadburners, Safety Last, and Pinky Black and the Excessives. They strode club stages as members of the bar-band culture that, though not featured on top-ten lists or posters, help keep real Rock'n'Roll burning before American working folks every night.)

Big Daddy's wax was possessed of a down-home folks quality that revivalist efforts produced on the coasts (salient as they were) lacked to identical degree. Covers of Louie Jordan, Jimmy Wages, and Bob and Lucille found comfort alongside crisply-drafted outings like "Hey, Pretty Baby,"  "Twelve Bars On Mars," and "Clothes Don't Make the Man." The heavy Country aspect of the good-time picking and saxophone swinging imbued proceedings with jubilance. All of which might have floundered, were it not for the dependably on-duty drummer.

Vocals alternated between hiccupped madness teetering on the edge, and harmonies that enriched with congeniality. Audiences surrendered happily to bacchanalian imperatives. "There's a Rockabilly Party on the edge of town," advised the song of that name; this disc was surely spun there, to the delight of limber-legged Jacks and Jills.

(Sadly, group leader Ron Cannon passed in 2013. The Smile Politely site remembered him as a "big man with a big heart." The present fortunes of other group members could not be ascertained at presstime.)

Recommended: "Hey, Pretty Baby," "Miss Pearl," "Breakout," "Rockabilly Party," "Midnight Ball," "After the Dance," "Momma Told Me," "Eenie Meenie Miney Mo," "Twelve Bars on Mars," "Right Around the Corner," "Gone All Along," "Clothes Don't Make the Man," "Hey, Little Momma," "That Chick's Too Young To Fry"


Video: "Hey, Pretty Baby"    "Rockabilly Party"   "Momma Told Me"      "After the Dance" (live)

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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..