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Wednesday, August 26, 2026

The Zap Guns

Space Vampire

(Self-issued)



Asplash throughout Milky Way clubs are silver saucers equipped with reverb. Having buzzed the Surf and Punk galaxies -- and hovered o'er cratered alternative orbs uncharted -- they fire alternating chiaroscuro and technicolor beams that have all manners of jumbo-headed aliens playing Twister at the discothèque.

Recommended: "Satellite," "They Live," "Geraldine," "I Don't Know Why," "Quicksilver," "Ghosts," "Dahlia," "Waiting for You"

Videos: "Satellite" (live)   "Ghosts"   "Waiting for You"   


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The Scoffs

Factories in Heaven

(Short Fuse Records)


Lead singer Knuck to Heavy Melody site, in 2023: "I spent a few years on my knees in waste and filth on factory floors, sorting garbage for recycling analysis. I fed machines in cold, drafty warehouses for $12/hour, screwing up my shoulder to have some a-hole boss mock me while I destroyed myself to pad his pocket."

That's a plaint all-too-familiar to this writer, being as I am an erstwhile chief steward with the United Food and Commercial Workers (local 431).

But mine is also a skidding existence on 1977-forward safety-pin margins, soundtracked by CBGBs skronk merchants. The Scoffs' demolition brickbats ring true and land hard. '77 was a launchpad.

Recommended: "Factories in Heaven," "Never Might Be Too Soon," "Such a Mess"

Videos: "Factories in Heaven"   "Never Might Be Too Soon" (Official video)   "Such a Mess"


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Rockin' Bones

Back From the Forgotten Planet: Complete Sessions (1989 - 1994)

(Just Another Normal Guy Records)



As plotted and dispatched by 1990s spell-casters, Psychobilly was possessed of peculiar traits. And there is no more superfluousness here than curling flesh on a skeleton's calcium sticks. Measured, ominous passages have their shifting scene-establishing way; moods hang from ceiling corners of darkened manse. 

Rising forth are hustling standup, urgent snare impulsion of vaguely voodoo nature, six-strings intent on velocity, and brusque terminology bitten off with the spiteful iciness of some post-Punk ghoulish watchman. Those listening scrupulously will catch allusions to the old in-out, tongue firmly in une femme sexy's cheek.

Somebody's going to get their head pulled off tonight...

Recommended: "Freddy Krueger -the Final Nightmare," "Tremors," "Vampirella," "Zombie Boogie," "Hot Rod Space," "I Go to the Go Go," "Bone A Billy Boogie," "Erotic Robot," "Welcome to the Forbidden Planet"

Videos: "Vampirella"   "Hot Rod Space"   "Bone A Billy Boogie"   "Erotic Robot"


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Back in the Day, 1995

Blue Devils

In Bed with Betty   10" vinyl

(Fury Records)



Throw yourself into the Bluesabilly go-go maelstrom. Guitars graduated Cool School. Sax honkings and head-back screams ricochet crazily off unrefined Big Beat provocations that'd surely scare hell out of snoots. Where matters concern the idealized Dream Girl undraped, all wagers are off and all limitations crash away.

Recommended: "Betty Page," "Mystery Girl," "Bloody Mary." "Sweet Love," "Tail of a Rattlesnake," "She Does the Do," "Vibrations"

Videos: "Betty Page"   "Mystery Girl"   "She Does the Do"


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The Sloe Gin Fizz

Herefrom ambles sound of the folks: Rockabilly properly in fundamental state, risen from Hillbilly haunts, and laced with slide that'll give folks their enjoys. 

Video: "Black Heart Baby"


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Eliza Stark and the Dappers

Dropping coinage into a Seeburg and punching this selection will result in three astoundingly able practitioners of Rebel styling jumping from the music machine's belly and igniting the coolest blaze all across everywhere.

Video: "Till We Die"


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Sunday, August 23, 2026

Lil' Lisa & the Finks

Introducing...

(Work Whorse / Wavy Gravy)


If it weren't so that these four road-burning mean-kick celebrations of absolutely unhindered hedonism (with mindbending groove accentings) arose as a side project of Chicago punk band The Dyes' Lisa Louise, greasy greenbacks would bolster supposition that they'd swung onto the scene from the soundtracks of a late-60s American International drive-in biker flick, one whose lurid banner cried Wild, Mama, Far-out, Stompers, and Savages.

Recommended: "Chopper," "Have Love Will Travel," "Henrietta," "No Good to Cry"

Videos: "Chopper"   "Have Love Will Travel"   "No Good to Cry"


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Pete Vengeance

Scarlett Witch

(El Dandy Records)



Pete Hutton's low, full voice is fathomless in the manner of icons. Ballad dreaminess laps on shores amour, only to be equaled by its uppity sibling. Crazy string licks flash out of Kicks Alley, muscling their way into rumbustiousness marshalled by standard instrumentation required by sideburned orthodoxy. This is the sound and style of kool kats who care not one flung whit about pedestrian opinions, and it ain't goin' nowhere -- if jukebox jivers like Pete have anything to say. And man, Pete does.

Recommended: "Because the Way You Look Tonight," "Black Widow," "Got the Blues," "Would You Could You Fall in Love," "Scarlett Witch," "You Were So Suspicious," "Tempting Kiss"

Videos: "Because the Way You Look Tonight"   "Would You Could You Fall in Love"   "Got the Blues"   "Tempting Kiss"


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Criptidos

CRipTIdoS

(Self-issued)



It's a lesson taught by the Ramones' Sire debut, as well as by vital vinyl pre- and post- their entrance into popular-culture chin-wagging: When judiciously leveraged, less is not just more but overwhelmingly and wallopingly so. Gloriously valid (and pretty damn devastating herein) is that Punk is a projectile requiring only rudimentary implements (and about a million grams of outsider attitude), its bombardments to inflict.

"This is our first album, we hope you like it, and if not -- go fuck yourself!"

Recommended: "Akoso Kallejero," "El Tren," "ImPUNKstores," "La Banda Del Karro Rojo," "S.E.P."

Videos: "ImPUNKstores"   "La Banda Del Karro Rojo"


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WyattChristmas Five

Are You Ready?

(PART Records)



The union of first-chair musicianship -- in American genres familiar to jukers, dancefloor denizens, and goodtime elbow-benders -- and ingenious lyrical delving into matters of universal existentialist qualities magnetizes. Add in sometimes broad wit that sailed its hat across the room. Think, laugh, and shake your good foot.

(Personal note: I read a Blues-site critic's faint praise of this rollicking-fun compendium. He rightly commended instrumental knacks, but kvetched about allegedly frivolous wordage. It's been my altogether unpleasant experience that rigid Blues doctrinaires (who, while asleep, can rattle off the number of songs Ivory Joe Hunter recorded in the spring of 1947, and tell you which of them were in certain time signatures) are among the most rebarbative folks you'll ever turn away from.)

Recommended: "Are You Ready?," "My Best Friend Went Crazy," "Changing Times," "Devil's Got a Hand On Me," "Alligator Bar Blues," "Riot in My Trashcan," "Please Do Like You Did It," "Too Far Too Long Away," "I Am Waiting"

Videos: "Are You Ready?" (live)   "Alligator Bar Boogie" (live)   "Too Far Too Long Away"


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The Rumbletones

Having carpentered admirable repute by purveying bygone classics of fin and whitewall, Floridian rockers step out with self-penned juke joyfulness. Partyfun bounce / voices exultant / elephant tusks gettin' jiggy. Dig.

Video: "Rock N Rollin' Baby"


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Rebel Cats

Runaway guitars compelled. An Al Adamson/Sam Phillips/Miki Zone stitched-form leapt from his threadbare flip-up in the abandoned movie palace, grabbed fishnetted and mascaraed Vampira by her pallid hand, and tripped the light ghastly 'cross the cobwebbed aisle. Hideous wretches mash-potatoed on the silver screen.

Another Saturday midnight, in the Rock'n'RollMonsterMadhouse.

Video: "Palomitas y Películas de Horror"


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Thursday, August 20, 2026

American Patrol go Ameripolitan

AP General Jerry Sikorski tells me he just entered his group's "I Ain't Never Been a Cheater" in the Rockabilly classification of the Dale Watson-founded Ameripolitan's 2027 Award competition. 

Previous awards winners include Nick Curran, Kyle Eldridge, Jane Rose, The Lucky Stars, and Nic Roulette.

In reviewing AP's recent platter last May, I wrote "Sandburg's line about coming in on 'little cat feet' has no relevance here. Opening track 'I Ain't Never Been a Cheater' makes like a lion with its tail stuck in a wall socket." 


"I Ain't Never Been a Cheater" (live)


The Ameripolitan Awards nomination period is now open, and will remain so until late summer / early fall. Nominees can be put forward not only by bands themselves, but also by peers and fans.

Following the nomination term's conclusion, top nominees will be compiled. Official voting on final nominees will end in October or November. General Ballot Blaster voting will then be open until late December or early January.

The Ameripolitan Awards ceremony is set for February. 


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Wednesday, August 19, 2026

Memphis Lightning

Personal Obsession

(Self-issued)




"Built on the Blues, wired for Rock'n'Roll" would be an irresponsibly hifalutin' claim, were it to issue from most mouths. But it only begins to capture the jump-back phenomenon now before us. Motivatin' in zeal and at high volume are robust travels in the key of damn straight. (Darren "Lil' Bluesman" Thiboutot Jr's solos will make big toes jump up in boots.) To quote the rousters themselves: "The Blues has built us into the band we are today." 

"My sound is a blend of all of my heroes and influences from genre to genre, mixed together to form a sound that purely comes from my soul," Lil' Bluesman told Blues GR last April. "I write a lot of music with my old man [Grammy-nominated Big Red], and you’ll hear elements of Blues, Rock, Pop, Roots, Country and more! I write music that has meaning and feeling to me, and my songs range from rockers, to soulful ones, tear jerkers, to pure guitar pyrotechnics!"

Recommended: "Personal Obsession," "The Road is My Home," "The Rock and Roll," "Good Man," "Perfect World," "You Got Nothing," "Come Back Home," "Halloween in July," "The King of Cool"

Videos: "The Road is My Home"   "You Got Nothing"   "Good Man"    "The King of Cool"


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The Nite Howlers

Rockin' & Reelin', Pts 1 and 2   7" vinyl

(Sleazy Records)




As these singles hardly represent their first rodeo, the Nite Howlers' hard-grained know-how strides and struts. No unfamiliar postures are present here, which is indeed a gladsome note. Instead, four jumpers whose hearts are rightly placed put 110% into Rockabilly jaunts that aren't one solitary lick ashamed of their Country heritage -- a characteristic that waves howdy hi from each bent-string barn stomp. 

Recommended: "Don't Be Square," "Long Tall Jeannie," "Wide River," "Longin' For Your Smile," "You Believe Everyone But Me"

Videos: "Don't Be So Square"   "Long Tall Jeannie"   "Longin' For Your Smile"   "You Believe Everyone But Me"


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Alan Vega

Deluxe Edition

(Sacred Bones Records)



Alan "Vega" Bermowitz died only months ago. His and Suicide partner Martin Rev's 1970s NYC synth/vocals/rhythm box ear-graffiti repulsed/seduced like a pile-up you could neither bear to scrutinize nor turn from. It was, in passages, that good. On his own, Alan continued to turn loose the Rockabilly gleeps and throat-catch histrionics for which he was infamous. The synth was replaced by more orthodox guitar/bass/percussion, and arrangements largely respected tradition. Still, unanniness roamed shadows. 

Included are seven demo versions. Available as CD, digital, and black-splatter vinyl.

Recommended: "Jukebox Babe," "Kung Foo Cowboy," "Fireball," "Speedway," "Ice Drummer," "Bye Bye Bayou"

Videos: "Jukebox Babe"   "Kung Foo Cowboy"   "Ice Drummer"   "Bye Bye Bayou"   live (1:01:39 London 1986)   


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The Coffin Fits

There's a Snake in My Boot(leg)   Digital 

(Self-issued)



Cooked up in an Enzed Garage, spookiness rides the wild surf. Triple-time snare hustles, while ominous acoustic negotiations explore long-desolate and spider-webbed manses. Voices suddenly pounce; the lead is surly, the chorus ones, spectral. 

Recommended: "Crankenstein," "Baby I've Changed," "Werewolf Island," "Poltergassed," "Mortal Acoustic"

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Nine Lives

"Tomorrow's a better day!" Antti reassures. Knocking negativism into the rearview is friend Rockabilly, its shoe-leather swing irresistable. Versed-in-Goneness axe-choppers tip incomers as to how best to deal in heptitude, their slap-back hedonism given surplus sinew by cameo saxophone exploits.

Video: "Keep On Keeping On"


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Zotal

Indignation glides atop punch-chords, under which head-thrashings of resoluteness pound incessantly. Cool as ice, a declarer shoots commentary in brusque espanol.









Canada's Bopcats echo onward



Popular-music mavens will recount that the 1980s Rockabilly Revival had geographically scattered jitter-bop paragons. Upstart indices could be located in NewYork, California, London, Japan, and many points beyond.

Canada's Bopcats warrant recollection, to speak nothing of evergreen appreciation. Tim "Sonny" Baker. Teddy Fury. Zeke Rivers. Jack de Keyzer. Men of rampage.

"They call themselves the Bopcats," a 1981 CBC reporter explained. "And for three years they've been squeezing out a high brand of Rockabilly in and around Toronto."

"I think the American Rockabilly is a lot more honest...," drummer Teddy told the CBC interviewer. "We approach it with a sense of today, same as the Stray Cats."

Theirs was a fervent assault that laced belovedly familiar genre gesticulations with full-on firepower that bespoke Punk uproar. Country-tinted numbers provided pacific ease between pummelings. Bopcats' drag-out fashion of bopping the Blues was fierce enough to trigger burg-wide sirens.

"Rock'n'Roll is really the only kind of music I really know. I've always really liked it," Zeke told a 1982 TV interviewer. "We don't really play solid, old Rockabilly. We more like to play Rock'n'Roll with Rockabilly Roots."

"What we do is basically, it's our own stuff," Sonny added. "And it's quite contemporary."


s/t (1980)



Notable tracks: "Rockin' a Dream," "Kiss Goodbye," "Down the Line," "Let's Go," "Buddy This Is It (the Stand)," "Don't Say Sorry," "Rainbow Girl," "Cool Off Baby"

An exhilerating freshness was announced by opening changes, which turned and shifted with acrobatic alacrity. To be sure, one sussed underlying hillbillies-on-juice bent, but youthful agitation and vernacular did their parts to tear away old-ways cobwebs.

Being rockers of sound bloods, of course, they tore up Feathers' "One Hand Loose" and Buddy's 1956 "Down the Line." And in the combustible combo's hands, Tiny Bradshaw's 1951 "Train Kept A-Rollin'" came out like a blade-swinger's snarl.

One sensed the Bopcats had never encountered a genre staple they couldn't grab hold of and pump up with intoxicating New Day oxygen.

"Buddy This Is It" scooted down the clay road with home-folks' tunefulness that surely would set woods on fire. More relaxed and emotive, "Don't Say Sorry" shone tenderly.

A most propitious introductory platter.

Videos: "Rockin' a Dream"   "Buddy This is It (the Stand)"   "Rainbow Girl"



Wild Jungle Rock (1982)



Songs etched into the LP's wax bore out Sonny's words with hand-standing exclamation points. As had been so of their debut, regard for vintage stylings stalked the deck alongside new and brash-out-loud creatures. Titles like "Too Fast Past," "Dressed to Kill," "Train Called Rock'n'Roll," "Earthquake," and the titular barnstorm showed off rockers versed in Then, hip to the Punk Now, and possessed of a wicked ferality they thoroughly dug throwing into everyone's agape mugs. 

Too, interspersed amongst the unleashed ravers were Countrified charm ("Home to Me") and the somewhat more Bluesish "What Did I Do Last Night?" 

Videos: "Wild Jungle Rock" (live)   "Dressed to Kill"   "What Did I Do Last Night?"   "Earthquake"

(In 1993, Attic released both Bopcats' LPs on CD. Appended to tracks, in the place of "Earthquake," was the Rock Angels' "Calling All Girls," penned by de Keyzer. No related video could be located.)

But the global gush of acclaim the Bopcats merited never materialized. Cynics (myself being in that number) would credit that as illustrating life's inexplicable unfairness.

Following the foursome's 1983 dissolution, some members briefly worked as new combo Rock Angels (absolutely not to be confused with annoying Bratz dolls' Rock Angelz.). All found divergent paths beckoning.

Drummer Teddy Fury cast his lot with the Royal Crowns, with whom he recorded numerous discs, and became one of Canada's finest bartenders. Fretboard hitman Jack de Keyzer issued numerous Blues safaris, becoming one of the Great White North's finest Blues purveyors. (Twice, Jack pocketed Juno awards, and seven times Maple Blues ones.)

Royal Crowns videos: "Badlands" (live 2011)   "Caveman Boogie" (live 2012)  

Jack de Keyzer videos: "I Want to Rock With You" (live circa 2007)   "On the Money"

The eventual careers of Sonny Baker and Zeke Rivers, per online research, did not involve performing. Sonny was said to have abandoned his post-Bopcats R&B/Soul band Ten to Midnight, and settled into retail and managerial labor with Sunrise Records.

Zeke took an altogether unlikely course that resulted in a Ph. D and teaching sociology and criminal justice in Massachusetts. (Long since absent by then, I'm certain, was the lofty ebony pomp and forehead-obscuring waterfall the bass agitator had once sported.)

What could have / should have graced sales charts and glossy magazine covers, then, is today but a memory -- though one relished by collectors of hot vinyl; we dig that cool notes can be forever heard.

Some two decades ago, while preparing a piece about Teddy's Royal Crowns, I spied an online notice that three CDs of live Bopcats performances (recorded directly from the soundboard) were newly on the market. I bought one from the seller, whose name was unknown to me, and explained I planned to review it.

Upon learning of my intention, the seller -- merely a "friend" of the Bopcats, he insisted -- sent the remaining two for free. (I did review the discs for Marc Bristol's Blue Suede News.)

I related that exchange to Teddy during a subsequent online conversation. The drummer replied that it was in fact, surely, bassist Zeke himself.

"If you catch him on a good day," Teddy emailed. "He'll tell you about his Rock'n'Roll past. But if you catch him on a bad day -- and it sounds like you did -- he'll deny having been in the group and say he was only a friend."

(Note: "Zeke Rivers" is too close to the name "Deke Rivers" -- Elvis' Loving You character, to be innocently coincidental.)


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..