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Sunday, April 6, 2025

Koffin Kats

Higher Lows

(Self-issued)



Detroit's seasoned Kats evince the rumbustiousness of first-timers, though aerodynamics are tempered by ace craftsmen's knacks. Mongers acidic, sometimes witty observations in lieu of the monsterism often prevalent in Psycho. (No negative note in either direction, that; each offers peculiar bounty.)

Recommended: "Happy Hour," "Higher Lows," "From the Light," "Black Box,"  "Tuning In," "Way Out There," "Ride Like Hell"

Videos: "Way Out There"   "Higher Lows"   live at Camp Punksylvania, 2024


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 The Rumjacks

Dead Anthems

Danny Boy   three-track EP

(FOUR FOUR)





In two 2025 releases, and to the surprise of no one (but the elation of all), the Rumjacks persevere down prized path, locating and holding up the commonality of airs ancestral and others roaringly crisp. Every sudsy mug is waved aloft, and hearty shouts are belted lustily, as fellowship is rejoiced in and life's vexations are kicked the hell out back.  

And that is sufficient to accrue lofty recommendation. But, as acolytes understand, there is much more than compelling musics to be got from Rumjacks' works. Massive heart enriches, and world-taught wisdom bears heed. 

Recommended, Dead Anthems: "Come Hell Or High Water," "Smash Them Bottles," "Cold Like This" (feat. Ken Casey of Dropkick Murphys), "October," "Father's Fight," "Eye For An Eye," "Some Legends Never Die"

Recommended, Danny Boy: "Danny Boy," "Face the World," "Were You Waiting"

Videos: "Come Hell Or High Water"   "Cold Like This"   "Eye For An Eye"   "Danny Boy"


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Screamin' Sins

Living Nightmares

(Self-issued)



It's gratifying that the three perpetrators under consideration chose to continue in the vein of their 2024 Haven For the Damned; bluntly muscular and limber-limbed spectacle, leavened by macabre cultivation. Rugged deploy is enveloped in ghostly echo, further conveying sepulchral aspect. Creep beneath the shelter of this ghastly crazy quilt, constructed as it is from shreds of Psycho, Goth, Swamp Blues, and Punk detritus, and know that spleneticism and desolateness lurk, maws adrip.

In the marble orchard, soil is upheaved.

Recommended: "The Hills Have Eyes," "Living Dead," "Love You To Death," "Nightmare," "Haunted Dreams," "Curse On You"

Video: Living Nightmares promo   "Six Feet Under" (from Haven For the Damned)


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Killer Tone Jones

"Godzilla Rocks"   single

(Planet X)




Killer Tone offers a paean to titanic Kaiju creatures whose clashes are escapist-film manna. Of course, the radioactive reptile swipes his tail at center stage. Treble strings whirl in Far East-wonder, as fuzzed riffing is joined by appropriately elementary drums to effectuate relentlessness. KT projects lyrics with guttural curtness. 

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Wednesday, April 2, 2025

 Haymaker

Live Over Germany

(KB Records)




For the uninitiated: One account holds that the skinhead movement was birthed decades ago, when ska-nodding Jamaican Rude Boys immigrated to England and blended with Rock'n'Roll-loving white working-class youth. The multi-racial, populist upswell was later hijacked by racists, and often falsely depicted by lazy corporate media as institutionally reflective of hateful and malicious imbecility.

Haymaker are apolitical descendents of original skinheads. But, angry products of this crisper time, they bludgeon with two-fisted Punk that evidences zero remorselessness. This is a rallying whistle to boots-and-braces unity, and a brazen appeal to upholding unique cultural identity. ("You're a working man and you are proud of it / You get blamed for whatever, but you don't give a shit!," declares Tim Steinfort in a robust reading of Bohse Onkelz's 1986 "Stolz"/"Pride.") These 17 firebombs will doubtless engender boulevard-marching scalped choruses with fists thrust aloft. One hears a stomp battalion nearing. 

"Why do I have to put 'I hate racism' on my jacket," Steinfort asks. "Every normal human being is against racism. I think also everybody knows that I'm not a racist...I say to left-wing extremists: 'Fuck you!' Because, of course I hate Nazis, but I hate left-wing extremists as well. And maybe more. And do you know why? Because, constantly you're accusing me of being a racist. Well, you know, I'm not. Instead of standing up, saying 'I know Tim, you can say what you want, but he's definitely not a racist.' Instead of that, you stay away from me, because of what other people think. Well, fuck you...

"Of course, when people wear Swastikas or 'White Power,' okay - get 'em the fuck outta here!"

Recommended: "We Are Haymaker," "Skinhead," "Skintro," "Skinhead Rock'n'Roll," "Bootboys Don't Give a Fuck," "Corrupted Government," "Working Class," "Apologies To Nobody," "Stolz/Proud," "Skinhead For Life"

The Lab Ratz

"Headless Body In a Topless Bar" b/w "Regular Day"

(Self-issued)




As is the fashion of sternly caned Psycho, flight has its equal in robustness. Stentorian exhortations batter paint from back walls. Pummeled skins and double-bass jeopardizings maintain skeletal frame, within which trebly strings fire off sparks. 

Recommended: "Headless Body In a Topless Bar," "Regular Day"

Videos: "Headless Body In a Topless Bar" (live)   


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Gumption

Twang with a Bang

(Good Day Records)



Dr. Elephant and his lab-coated colleagues were perplexed. Having subjected Twang with a Bang to every manner of inspection known to science, they still could not explain its congenital goneness. Elements were isolated and analyzed individually: Hiccuping. Six-string flailings. Snapped-tight snare. Confident bass rumblings were assessed. Even frantic postures and themes were microscoped. But no solution presented itself.

Intending to serve the braniacs coffee, housekeeper Eulabelle inadvertantly jostles the examination slides into one rave-up amalgam. And the puzzle is solved.

Recommended: "Blood Sucker," "Johnny Freefall," "Rev It Up, Baby!," "Little Doggy," "Lulu's Got a Motorbike," "Get Up & Groove," "Rockin' Rockabilly," "Shake Your Bacon," "Blow It Up!"

Videos: "Blood Sucker"   "Shake Yer Bacon"


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..