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Wednesday, June 24, 2026

The Black Prints

Short Stories

(Self-issued)




Assembled land of Macron bop merchants cite but one ambition: to play the Rebel Sound loved by millions of chain-swingers, and to do so eminently. That they succeed can be affirmed by fractured Blues de Traverse festival acolytes, as well as by lucky attendees at other national gonegonegone gatherings. Tracks present ring out whoppingly big and bold.

Recommended: "King Cadillac," "Blue Lady" (players stretch impressively), "Deathrace"

Video: No related clips were available at presstime. live (2023)


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Eddy and the Backfires

Bite Baby Bite   EP

(Backfire Records)



Woe be to grinches 'cross the burg that crave shut eye - Eddy and the Backfires are in town, and they're raising all kinds of house-shakin' ruckus. They've taken the wildcat roar that dates from fins 'n' whitewalls late nights, and pumped it to overflow with kickapoo joy juice. Pillows over heads provide no escape.

Recommended: "Bite Baby Bite," "On the Run," "Chasing Leader"

Videos: "Bite Baby Bite"   "Chasing Leader"


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Tessy Records

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Chemical Valley Mutants

Struggle

(Self-issued)



Acerbic castigations of existent authority, coupled with jaw-jutted demands for liberty, are spat in scraped-concrete tones, and arrive within zoom-smash missiles. Praise I penned in review of the band's 2023 Poisoned ("Songs collected on their newest disc rage against worldly injustices via fierce assault on polite-society notions of musicality") hold no less true today. Led by filmmaker Jay Crimson, all involved seem intent on thunderous obliteration; damned if they don't prove equal to the ambition.

July 3 release is scheduled.

Recommended: "Struggle," "Pessimist," "No Supremacy," "Ignorant," "Slander," "When Her Eyes Roll Back"

No current Video available. This is a live performance of "Left Hand Path," from Poisoned.


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Black Kat Boppers

All Out Rock'n'Roll   digital album

(Swelltune Records)



One pointy alligator shoe stomping in Sun world, the other imprinting Blues swampscape, and mojos cavorting in Mashed Potato abandon all the while. Lauded scene habitués Roy, Luca, Dylan, and Colin affirm again why they're major attractions hither and thither. Don't comb tracks for ponderous cogitation, just grab some pick-'em-up-and-put-'em-downs.

(Collaboration and graphic artwork come courtesy of Clash-mate and dedicated supporter Paul Simonon who, on occassion, also subs on four-string axe at gigs.)

Recommended: "Billy Billy," "All Out Rock'n'Roll," "Scream & Holla," "Black Kat Boppin' atcha," "Casting My Spell," "Rollin' In," "You Silly Thing"

Videos: "Billy Billy" (live at Rockabilly Rave 2026)   "All Out Rock'n'Roll" (live at Continental Club 2024)   "Casting My Spell" (live at Hank Dietle's Tavern 2024)   "You Silly Thing" (recorded in separate locations during COVID era)


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Goofin' Records

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Screamin' Rebel Angels

What did Congreve write about a woman scorned? Joyce Green's incendiary 1959 Vaden Records stomper is revisited with all the self-righteousness and slitted-eyes finality of its initial iteration. Boz and Lyn Boorer pack proceedings with sufficient TNT to send flesh-and-blood bits of said carouser into past tense. Laura don't take no mess.

Video: "Black Cadillac" 


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The Gasölines

Though hurtling and bash-fisted, these severe minutes are also possessed of appeal familiar to brave ravers who dimly recall club episodes, midsommer midnight, or arena frenzies. People were killed by Morten Nilsen's guitar solo - and they're still grinning.

Video: "(I'm Not) Your Mirror"


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Big Cartel





AI music poisonous counterfeit



Music is an expression of humanity, not technological artifice. Composition begins in thought. Instrumental realization is most honestly performed by human beings.

There were no wind-up keys in the plaid-shirted backs of Jimmy Bryant and Speedy West.

Machines are not capable of independent thought, creativity, or interpretive production. True, artificial intelligence programs can in a twinkling assemble ideas fed into them by humans -- and they certainly can arrange those per typed request -- but no cold contraption ever had a brainstorm.

While penning these words, I asked an artificial intelligence program to compose Rockabilly song lyrics. Here's one verse:

Well, it's a cyber-billy boogie on the radio waves
Yeah, a cyber-billy boogie driving everyone crazy
Flip my toggle switch, baby, watch me go
Got a million gigabytes of Rock and Roll!

That's a far piece from Jerry Leiber and Mike Stoller.

Whether a song's author breaks fresh stylistic turf or embroiders upon already existent fashions, he cannot help but be (at least somewhat) reflective of cultural persuasions.  

Not only is artificial intelligence unaware of social permutations not generally accessible in the clouds -- it can't even flip its own ON switch.

Despite all that, manufactured music in sundry genres is seemingly ubiquitous. Persons exploring musics online must tread with caution as if in sketchy neighborhoods.

Understood is that a songwriter or producer might find it simpler to pour notions into machines, rather than enlist breathing players, that their visions assume form.

But the result reeks of sterility. It satisfies no discerning listener who truly loves music.

A factory construct can't feel exhileration, heartbreak, or rebelliousness. Those emotional phenomena -- which prompt creation and inject real, blood-surging life into music -- are exclusive to people. State-of-the-art components can no more cry or laugh than can store-window manniquins.

The battle between man and machine is hardly a new matter. John Henry, the steel-drivin' man of railroad-worker choruses' folk legend, was said to have pounded more spikes than his metallic, steam-powered competitor. 

Just so, human conceptions embody actual life sparks that doggerel issued from components simply does not. Man stands victorious.

I'll hand over a million dollars to anyone who can produce a mechanism that's known the blues.

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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..