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Sunday, September 20, 2026

Bruce Humphries and the Rockabilly Rebels

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(3 Ring Circus)



Tonight (Saturday, Sept. 19), Bruce and kindred back-alley beat ministers will treat carbonated two-steppers at the Foxtown Annex in Mequon, Wisconsin, to a release party for this wax. Unspooled will  be Rockabilly that pulls one in, maintains its grip, and is proud out loud of ubiquitous rustic blood. The so-damn-good gusto of finger-popping, ankle-flexing rompery beloved by nightspot carousers-in-denim jumps and kicks blue blazes.

Oh, to be in Mequon tonight...

Recommended: "You Can't Fix Stupid," "Groove Baby, Baby," "Giddy-up!," "Hot Damn! I Want Your Girl!," "Flat Busted!," "Baby I Love You," "Ghost Town," "Shoot That Bunny"

Videos: "Can't Fix Stupid"   "Groove Baby, Baby"   "Baby I Love You"   


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Dogwood and the Shakers

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(Self-issued)




Impeccably picked six-string maneuverings shake dust from boot-heels and go to town like the woods are on fire. Nor are cowtown-comfortable guitar calesthenics leader Zander's sole specialty; his direct vocalizing is of everyman quality -- except, of course, not every man can pull it off so admirably. (And wasn't it was decent of him to present only songs of the finest kind?)

Recommended: "I'd Rather Live in a Honky Tonk," "She's Gone," "Left for Dead," "Beneath the Stone," "God Save the Kingdom," "Red Hot," "Goodbye Always"

Videos: "I'd Rather Live in a Honky Tonk"   "Left for Dead"   "Beneath the Stone"


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SHAZAM






Lily Unless & the If Onlys

Low & Reckless

(Long Gone Records)



Cain't be no hemmin' n'sich: This here gal got it goin' on -- in the most countrified of manners. And don't you just know, her sweet enunciations and comely trillings wouldn't ring so endearingly, were it not for pick-of-the-litter players plating up musicalizing that regular folks just wanna get real close to. Never nothin' het up. Just easy flowin', like molasses. Hell, I even seen the perfessor from the up the road cuttin' a jig...

Recommended: "Both Feet," "January Jim," "Screwdriver," "Island Off Kentucky," "This One Here," "Nashville"

Videos: "Both Feet" (live)  "January Jim" (live)   "This One Here"


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Roscoe Robinson with Eli 'Paperboy' Reed

Roscoe Robinson Sings Soul - Live at Rockwood Music Hall

(Self-issued)


This digital document of a 2012, New York performance by late Gospel and Soul master Roscoe is now accessible on Bandcamp. All proceeds are to be passed to his family.

It was in early 2026 that 97 year-old Roscoe ascended to Heavenly reward. Backed before an adoring audience by able accompanists -- including remarkable guitarist / singer Eli, whose own new disc will soon enjoy consideration here -- Roscoe pours forth every iota of talent and human passion accrued during some 75 years behind the microphone. 

A dynamic belter who turned songs into experiences that branded great big and spanking authenticity on every eardrum in the place, Roscoe had STYLE in tower-block font.

The sole comfort available to us, given that storied icons like him are departing in increasing numbers, as years go by, is the knowledge that they've left legacies that will continue to inspire. 

The old school will forever be in session.

Recommended: "Ooo Wee Baby (I Love You," "A Thousand Rivers," "How Much Pressure (Do You Think I Can Stand?)," "I Who Have Nothing," "The Last Mile of the Way" (feat. Eli), "Sending Up My Timber," "The Tide of Life," "Search Me Lord" (feat. Eli)," "That's Enough," "Do It Right Now," "Leave You in the Arms of Another Man" (feat. Eli)

Videos:"How Much Pressure (Do You Think I Can Take)" (1966 version)   "Do It Right Now" (1966 version)   "That's Enough" (1976 version)  Songs and memories  (Roscoe and Eli, on occasion of the former's 95th birthday)  


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Don Lang

A 1992 Independent obituary of English combination maestro and spinabout dervish Don (né Gordon Langhorn) was appropriately praiseful: "A natural performer, he could stir an audience to cheers with one of his 300-words-a-minute vocalese workouts, and the next instant pick up his beloved trombone and play a sublime Jazz ballad in the style of his favourite, Bill Harris." Allies the Frantic Five stirred carbonation. To the present day, no one has figured out precisely why the amazingly buoyant "Red Planet Rock" didn't provoke all known spheroids into madcap jumble.

Video: "Red Planet Rock"



Flea Bops

"Crazy Fever" finds the Maryland three cultivating the oh-so-Goneness inherent in low gear; Wendy smolders in absolute Wanda / Janis ardency. Both moderate pace and serious jive-strafing are maintained in "You Can't." As combo banners: "When something's right, it's just flat right."

Videos: "Crazy Fever"   "You Can't Make Me Doubt My Baby"


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Johnny Law and the Pistol Packin' Daddies: Tearin' it up down under


"Australia has an incredibly dedicated Rockabilly, roots and traditional Country audience," Johnny emailed me. "The distances between cities can make touring expensive and complicated, particularly for an independent artist based in Perth, but the people who support this music are extremely loyal."

Johnny Law and the Pistol Packin' Daddies have a reputation for kicking up sparks -- they're in-the-marrow devotees to just-plain-folks sounds spectacular. 

He-and-she duos are compelled to whirl across hardwood beneath colored lights. Solid songs throw one up, down, and all around; the material is part and parcel of the roots scene -- and adherants sporting cat clothes wouldn't dig it any other way.




Shortly prior to the drafting of this piece, Johnny and the Pistol Packin' Daddies released Guilty On All Counts (Apache Productions Australia). It's their fourth full-length in an impressive order.

"The tracks were recorded in Perth by Mark Turner and mastered by Alex Hall at Hi-Style Records in Chicago, Illinois," Johnny related of the new record. "The same studio where The Bellfuries recorded their Workingman’s Bellfuries album."

While the eight cuts on Guilty On All Charges all merit attention, of especial note are “Lovin’ You,” “Biggest Mistake,” “Relationshit,” “Samantha” and “You’re The Reason Why.” (The singer noted that copies can be ordered through Elastic Stage. See link below.)

Johnny is based in Perth, Western Australia. "My music draws heavily from 1950s Rock ’n’ Roll, Rockabilly, traditional Country and Americana, with influences including Johnny Cash, Buddy Holly, Elvis Presley and Dwight Yoakam."

He articulated a rich history, one filled with triumphs.

"I formed Johnny Law & The Pistol Packin’ Daddies in 2001. Since then, we’ve released several albums, toured Europe and the United States, and played festivals and venues around Australia. 

"More recently, we’ve headlined the Crank It Up Festival in Batemans Bay, NSW and the Rock ’n’ Roll Jamboree in Sydney, as well as performing four shows at Cooly Rocks On in Queensland."

Last May, Johnny and the Pistol Packin' Daddies reinvented Tammy Wynette's 1978 "Standing Tall." I commented that their take (not included on Guilty) has all the marks of genuineness, from warm, rich vocals to snapped-tight musicianship of comfortable character. 



"Thank you -- I’m really pleased that the recording came across that way. It actually began as a student project through the School of Audio Engineering in Perth. The students were asked to find bands that could take 'Standing Tall' and reinterpret it in their own style, and one of the students approached me about being involved.

"Rather than trying to reproduce Tammy Wynette’s recording, I reworked the song in the style of Johnny Law & The Pistol Packin’ Daddies. The arrangement and overall approach were what I came up with for the project, and the recording was completed as part of the student’s audio-engineering work."

I asked after reactions it has received.

"The track has never been officially released," he explained. "So there hasn’t been a wider public reaction to it as a digital release. We’ve also never performed it live at one of our shows, which is why there isn’t any live footage or an official video. At this stage, no video is planned, although the interest in the recording has made me think it may deserve a proper release at some point."

The Pistol Packin’ Daddies remain Johnny's main band. But only one outfit just isn't sufficient for creative exercise. "I also perform in different formats depending on the show, including the Johnny Law Trio and Johnny Law & The Wandering Stars when I’m working with musicians on Australia’s east coast. Whatever the lineup, the aim is always the same: honest, energetic music with strong roots in Country and early Rock ’n’ Roll."

In recent days, the busy singer debuted yet another endeavor: Antsville. Johnny advised it is "a gritty trio (sometimes a 4-piece), delivering Rock’n’Roll, Country, and trucker songs built for the open road, late nights, and loud crowds.

"Between Antsville, the Pistol Packin’ Daddies and the different interstate lineups, there is plenty happening," he added.

"On the live front, I’ll be taking the east-coast version of the band, Johnny Law & The Wandering Stars, to Camden Sports Club in Sydney on Friday 9 October and Thornbury Bowling Club in Melbourne on Sunday 11 October."

Fans both seasoned and newly arrived can content themselves that future days will indeed shine.

"After more than 25 years with the Pistol Packin’ Daddies, I’m still excited about recording, travelling and putting new shows together," Johnny rightly boasts. 

"I’ve never been interested in chasing whatever happens to be fashionable. I want to make music that feels real, respects where it came from, and still sounds like Johnny Law!"


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"Standing Tall" (Bandcamp)


Videos: live (29:50 2026)   


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..