The Blasters
s/t, Non Fiction, Hard Line
(Slash / Liberation Hall)
The Blasters' three Slash LPs, now thankfully reissued by Liberation Hall, represent some of the 1980s Neo-Rockabilly crusade's finest exponents.
Solid grounding in Blues truths was every bit as hardwired into their muscular exertions as were dirt-road joints' bucolic animations.
Dave Alvin threw flashing fires packed with twangs from his Strat. He also evidenced himself as a song-craftsman with one alligator shoe in vintage Americana tune idioms, and the other in a many-shelved library.
Bill Bateman, Gene Taylor, and John Bazz acquited themselves with such passions (all the while confidently showing their respective instruments who was boss) that kids beholding them doubtless caught the bug. (That's how Rock'n'Roll works.)
Adding their own sax magics to all three discs were OG Lee Allen (whose majestry exists into perpetuity in scores of vital vintage waxings) and Steve Berlin, himself a cut-above brass actionist. Better bopping through honking.
Brother Phil crooned every melody and touched all notes with enviable mastery. As if it were easy. But his bulging temple veins, and the perspiration rivulets demarcating facial features like interstates on an unfolded map, let the cat escape the bag.
They were the real article, while all around were flamboyant money-machine contrivances. Flock of Seagulls, Eurythmics, Madonna, and a slew of interchangeable MTV manikens had limited shelf life.
The Blasters offered desperately craved, rocked-to-the-nth-degree celebration, in an otherwise airless and formulaic music environment. Genuine humanity was in scant supply. They brought it. Oh, brother, did they.
Plus, with each chord, note, and downbeat, they kept in glorious dynamism stylings crafted by elders like Rudy Toombs, Jimmy Rodgers, Little Willie Johns, and Big Joe Turner. (Afore-cited, stalwart originals from the pen of Dave boosted the worth.)
I'll scrutinize one track from each record.
"American Music" (first waxed by Ronny Weiser's Rollin' Rock indie label) was a rousing calling card whose union of rambunctiousness and legitimate Old Gloryism underscores blood shared by common-man musics birthed in New Orleans, Nashville, Memphis, the Delta, and anywhere folks earned calluses and burned candles 'til wee hours.
"Look Out It Must Be Love." Dave once told an interviewer that the more personal a lyric, paradoxically, the more universal its relatability. In no example is that truer than this song. While idiosyncrasies like "she works all night at a joint on the highway" and making a "date at the city hall" don't figure in everyone's wedlock accounts, the 'lavender haze' experience is common. For 2:59, Dave and Phil, Gene Taylor, and the Johns Bateman and Bazz bounce like to happify all hearts from Lovers' Lane to Saturn's rings.
"Rock and Roll Will Stand" Embodied here is a quality typical of Blasters' ouput: Raging momentum of old-ways Rock'n'Roll in fresh glad rags, ridden by substantial lyricism that speaks of mankind's undersurface. Hard to discern is whether its honest criticisms of shady managers, fickle audiences ("dedicated followers of fashion," went a bygone verse), and the hapless protagonist himself were intended as industry condemnations or forewarning advisories. Probably both.
I'll land the plane here: Then and today, the group deserves acclaim by the Mason jar-full. In 2026, a somewhat altered lineup hefts the group's standard admirably. Between their efforts and Dave's solo ones, "the house'll be shakin' from the bare feet slappin' on the floor," as a man once said.
Recommended, s/t: "Marie Marie," "I'm Shakin'," "Border Radio," "American Music," "So Long Baby Goodbye," "This is It," "I Love You So," "Stop the Clock"
Recommended, Non Fiction: "Red Rose," "No Other Girl," "Bus Station," "One More Dance," "It Must Be Love," "Jubilee Train," "Long White Cadillac," "Fool's Paradise," "Leaving"
Recommended, Hard Line: "Trouble Bound" (feat. the Jordanaires), "Little Honey," "Samson and Delilah," "Hey Girl," "Samson and Delilah," "Rock and Roll Will Stand"
Videos: "Stop the Clock" (live, 1982) "Fool's Paradise" "Trouble Bound"
Site
Facebook (band)
Instagram
Facebook (Dave Alvin)
Liberation Hall
Forced Exposure
grooves.land
MVD Shop
Bandcamp
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
