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Wednesday, November 11, 2026

Jay Willie featuring Bobby T Torello

Still Raisin' Cane

(ZOHO Music)



Among elements evidencing solid grounding in good stuff are the sometime resemblance of "Sugar in My Tea (Cream in My Coffee)" to Santana's "Black Magic Woman," and the serious participation of former J. Winter drummer Torello. (The LP title itself seems inspired by Winter's 1980 Raisin' Cain, on which Torello distinguished himself.) Those appreciative of everyman Rock'n'Roll thoroughly respectful of its Blues progenitor -- anyone not fitting that description is advised to make the exit door's acquaintance -- will acknowledge their debt to Mr. Jay for showing the world exactly what the Blue blazes is what. 

"Still Raisin' Cane is a heartfelt tribute to my musical hero, Johnny Winter, and the incredible musicians who contributed to his legendary sound," Jay wrote on ZOHO's page. "Johnny's 1980 album Raisin' Cain on Blue Sky Records, featuring Jon Paris on bass and harmonica and Bobby T Torello on drums, was a pivotal record for me. I was fortunate enough to jam with both Jon and Bobby at BB Kings in NYC during Jon's Monday night open mic sessions, experiences that remain vivid memories."

Recommended: "Still Raisin' Cane," "Boogie for Drums and Guitar," "It's Too Late" (vocals by Karen Johnstone), "Sugar in My Tea (Cream in My Coffee)," "Positively 4th Street," "I'm Lost Without You," "Stranger," "Jesus Gonna Be Here"

Videos: "Still Raisin' Cane"   "It's Too Late"   "Positively 4th Street"   "Jesus Gonna Be Here"


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Bloody Benders

Live from London (Hope and Anchor)

(Bambam Records)



Just as Kansas's 1870s Bloody Benders swung menace, so too do the Horror Punk agitators presently under advisement. But, whereas the grisly formers bludgeoned victims, their south-of-the-border namesakes now pound admirers with barre chords. 

Recommended: "Crossroads," "Por las que ya no están," "I Eat Your Brain," "La Vampira"

Videos: "Crossroads"   "Por las que ya no están"   "I Eat Your Brain"


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Jay Ernest - feat. Don Diego Trio

Go Tell 'Em

(El Toro)




Barnyard foghorn Jay is so 'in command,' and Don + hand-toolers such genuwine jukejoint jumpers as to knock folks clean inta Saturday night next, Go Tell 'Em beats all I ever heard. "They call it Country, but to us it's a way of life."

Jay stepped temporarily from Johnny C. tribute band Church of Cash. He and the Diego boys are currently raising lawsy mercy in the Netherlands. (And the man's lime-green suit looks like straight from Nudie Cohn's emporium.) 

Recommended: "Graveyard Shift," "Do the Bop Ruby," "Heart Like a Rock," "Guess Things Happen That Way," "Big River," "Too Smart to Know (Too Dumb to Care)," "

Videos: "Graveyard Shift" (Live)   "Do the Bop Ruby" (Live at Ram-Ham Bowling Alley)   "Too Smart to Know (Too Dumb to Care)" (Live)


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Various artists

Campeonato Mineiro de Surfe 2026

(Reverb Brasil)




Audio excerpts from the traditional Belo Horizonto sand'n'waves throwdown in which aggros, ghoulies, barneys -- and whatever exited the garage -- pool adeptitudes and underscore that Rock'n'Roll in sundry formulations (Surf, Psycho, Punk, and homemade schizz-saw devastations) will forever charge the A-frame.

Recommended: "Pteropus" (Psicopandas).  "Marilyn Monroe Is Not Dead, She Came Back to the Sea" (Zombrain), "Sombrero" (Didi Ray), "A Nova Onda Hipnotica dos Retrofoguetes" (Retrofoguetes), "Seja bem-vendo ao terror" (Superheat), "Quando eu Crescer" (Time Bomb Girls), "Smoked City" (Pedro Yes & the Nos), "Dance for Buenas ondes" (Os Pampa Haoles), "Espionaje" (Os Gatunos), "Cumbia para Chico Mentes" (Francinni Guitar Show), "Monster Potion N9" (The Dead Billies)

Videos: "Pteropus"   "Seja bem-vendo ao terror"   "Espionaje"   "Monster Potion N9"


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Dolly Parton

It is from these endearingly plain-grain minutes that a legend of global circumstance --one that boasted many splendors -- sprang with heart as big as all get-out. 

Video: "Puppy Love" b/w "Girl Left Alone"


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John Lindberg Trio

Strapping, mid-tempoed, clapalong composition makes ideal transportation for love-lost lamenting. 

Video: "Oh Simone"


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Super someones and saucers



The Adventures of Rat Pfink and Boo Boo (1966)

Director Ray Dennis Steckler may be most widely celebrated for 1960s cult rough-gems Wild Guitar, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, and this. 

"Rat Pfink and Boo Boo!" intones the trailer's narrator, doing his best Walter Winchell. "Masked men dedicated to fight crime and preserve justice!"

Viewers lured by that stentorian pronouncement surely were disappointed when the half-price superheroes didn't appear until the flick's midpoint.

Early sequences featured Pop-star main character Lonnie Lord singing "Running Wild" and "Rat Pfink." (Lord was played by Ron Haydock, under pseudonym Vin Saxon.)




Lord's girlfriend Cee Cee is the disquieted recipient of heavy-breather phone harrassment. The flick's dramatic tone intensifies when the capris-and-crop-top lass is later kidnaped by Linc, Hammer, and Benjie of the Chain Gang.

In the process, Lord's gardener Titus Twimbly is tossed around. (Cee Cee is Carolyn Brandt. And overalled trowler is Titus Moede. Bafflingly, none recieved recognition statuettes.)

In logical reaction to baddies absconding with fair Cee Cee, Lord sits back in his living room, strums an acoustic, and croons "I Stand Alone." 

Director Steckler is said to have eventually grown dissatisfied, even bored, by the project. So, crime drama somersaulted into carnivalish ridiculousness: Lord and Twimbly emerge as upholders of propriety Rat Pfink and Boo Boo. (And when they do, the B&W movie changes into (sort of) color -- a Wizard of Oz effect for grindhouse haunters.)



Ensuing scenes capture chases, songsongsongs, and (unrehearsed) hand-to-hand combat.

The online HaphazardStuff's reviewer put it well: "The fights look like something the neighborhood kids would do, on a boring Saturday afternoon." 

During a late-in-story donnybrook, a gorilla appears and joins in. Huh?

By the conclusion, Cee Cee is rescued, the Chain Gang miscreants are soundly vanquished, and all is well with the world. Ratpfink and Boo Boo, cruising on their trusty Ratcycle, are ostensibly feted in a well-attended parade. (Reportedly, though, the actors simply stowed away in someone else's event.)




(Incidentally, I first learned of Steckler and Incredibly Strange from a 1974 Rick Johnson Creem magazine piece.)


The Adventures of Rat Pfink and Boo Boo trailer

"Rat Fink" (All songs: Ron Haydock)

"Running Wild" 

"Go Go Party"




Flying Saucer Rock N Roll (2006)




The plot supped voraciously from 1950s drive-in throwaways, and raced without so much as a shred of profundity. (Both creator options were entirely apropros.)

A slumbery, Ike-era American town is besieged by green-flesh Martians with googly eyes, insect antennae, and behind very much in mind. (Repopulating Mars is later disclosed as their ambition.)




Initially, the dark-of-night invasion is known only to a square, his beat-daddy cohort, a honey-next-door, and bongo-village, Krebsian sophistidorks of tissuey consciousness. (Once they've puffed the Red Planet magic dragon...all bets are off.)




Unlike some actual sci-fi flicks of that era, Flying Saucer never lags. (A common negative for such movies is that only the title and monster moments merit attention.) 

An urgency drives the quest to smash the silk-sheets conquest from space. Particularly frantic are the scenes in which a stereotypical, grumbling farmer ("What're you hooligans doin'?) is conscripted by the desperate young heroes, and a sort of HG Wells blunderbuss is slapped together (cleverly depicted in comic book frames).

Heightening things still further are dynamic performances by top Rockabilly names like the Chop Tops, Thee Merry Widows, Koffin Kats, and director Eric Callero's own Keen Kousins. These blow-ups cascade audience-ward in both background soundtrack and gig footage.







By the conclusion, the weed-entranced Beats -- by this point sporting greasepaint pallors -- have assisted my least-favorite Martians in corralling girlfolk, and our valiant protagonists dash to the rescue (quadruple-pipe blunderbuss at the ready).

When one fried-brainpan aggressor is blasted by the good guys, his creepy fellows also collapse. "The world was saved by a Square and a Beat!"

An IMDb reviewer waxed head-over-heels: "This was a home made film by a talented young man, Eric Callero (aka Cody Devereaux, of the Tonight Show with Conan) & his parents for about $1,000.00. Most of that for food & drinks. They wrote it, designed & built all the sets, designed & engineered the gore & special effects, designed & fabricated the costumes, and used their own cars. Eric wrote and played many songs. Enlisted the help of his friends from around the world to put their songs on the soundtrack. He edited the film for nearly a year, making it a better film than the material he was working with. All the cast and crew worked their butts off for the love of cinema."


Flying Saucer Rock N Roll trailer

clip (2:02)


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..