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Showing posts with label " Rock and Roll. Show all posts
Showing posts with label " Rock and Roll. Show all posts

Sunday, May 3, 2026

Black Kat Boppers

Four wild ones, their very souls ablaze with good ol' Rockabilly orange-and-blue tongues, taught Rave attendees a lesson that bears repitition ad infinitum: Bop + heart casts children into the promised land of Gone.

Video: "Ask him"


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Sunday, April 19, 2026

The Refreshments

Steadily churned Rock 'n'Roll, of the type Mr. Berry built into evergreen luminescence. Group singalong voices, rendering hooks that cannot be declined, wave one and all to join in celebrating liberty from that damned torch.

Video: "Bye, Bye Belinda"   


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Jo Carley & the Old Dry Skulls

"Lover Love Spell" / "Only When the Moon is Full"   CD or digital album

"The Zombie" (Reanimated)   digital track

(Voodoo Shack Records)


Herein slink ghastly, ghostly rhythms. The calcium chassis atop which "Lover Love Spell" reclines is a spooky, tease-dance Calypso one, whose infatuated tale-teller looks to voodoo potions for successful conquest. Flip "Only When the Moon is Full" and solely digital "The Zombie" creep in like cursedness. The former issues a frontal sax moon hymn; the latter claws up through fresh sod, driven by kick insistance and yelps that enrapture.

Were root doctors ever to summon forth a washboard...

Videos: "Lover Love Spell"   "Only When the Moon is Full" (official video)   "The Zombie" (Reanimated)


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Wednesday, April 15, 2026

Joe Bombast

"Not Wild Enough"   single

(Martone)



Municipal pencil jockeys may know him as Joe Martin, but Bombast is the descriptor preferred 'round these streets. To hear the one-cat-band let loose with febrile hoots and off-rocker hollers, you'd suspect the ghost of a legendary, tongue-tied hiccuper must've descended and inhabited. But Joe's plainly more intent on swinging like a gate in bash-down Rockabilly gusto, than seeking ghost-doctors' prognoses. Which is so much to the better, for us. 

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Ronald / Fréquence Humaine

Said elsewhere to be reworking of a 1978 French novelty effort, the cut at hand burns past famed askew Tower with sparks shooting. Makes case that no tension encumbers relationship betwixt cranial-plumaged chord-uppercuts and courtliness. 

Video: "Je Suis en Gentil Punk"


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Otoboke Beaver

These kittens have claws, and they don't hesitate using 'em to dispense what initially seems Punk shambolism. Upon additional scrutiny, though, one digs that while the Punk part is legit, clever construction is also afoot. 

Video: "I Don't Need to Be in Your Strike Zone"


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Sunday, April 12, 2026

The Neighborhood

Indonesian Oi! stomps loudly and proudly!

Video: "Pride Song"


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Wednesday, April 8, 2026

Gum Bleed

"Unstoppable" b/w "Until the Day I Die"    digital album

(Ring of Fire Records)


What fresh hell is this? Hurtling thunder run, before which all fall into hectic, bodies slamming dimension. Friedrich miscalculated: From this bellicose order comes cool chaos.

Videos: "Unstoppable"   "Until the Day I Die"


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Wednesday, April 1, 2026

Monkey Madness

"You Can't See My Eyes"   digital single

(Self-issued)




Anyone not swinging and stomping as this old-class, land of Felipe VI Psycho reels about circumstance, throwing chairs and smashing panes, has likely expired. (Although, given the madman music at hand, that is no excuse.) Tattooed agitators raise spring-heeled ruckus.

Videos: "You Can't See My Eyes"   live (2:22)


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Wednesday, March 25, 2026

Emilio Walter

"I Wanna Dance"   digital single

(Self-issued)



Sprawling its path from the blinking Wurlitzer, across the thronged hardwood, past the bar, and clean out the door is stomp-feet-and-snap-fingers Rock'n'Roll boogie of the sort that impels reeling regulars to gulp drinks and dive from barstools into the dancing revelers. Shouts of joy all over the joint - including from the built barmaid.

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Sunday, March 22, 2026

Barrence Whitfield

Like the man says: "Get loose!"

Video: "Madhouse"

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Wednesday, March 4, 2026

Various

Compilado 25

(Punk Con Punk)



Anarchy en español. As is always so with voluminous band compilations, merit is inconstant. But the finest presented boast enough strength to flatten heads, and techniques honed but not la-di-da. Translators are not needed; demolition rocketeering is a universal language in our underground. Not only will Punk never strike its colors, so long as mifits with perpetual scowls and guitars in hands stalk sidewalks, but every geographic outpost has been molested by surly shouters. Which is pretty damn cool.

Recommended: "Esto Es Madrid" (The Rejects), "La Basura Que Somos" (Viejos Tiempos), "Tema De Adrián" (Fracasso Italiano),   "Policía Corrupto" (Los Puta), "Don't Try This At Home" (Whatever!)), "Bhopal" (Punkonia), "Perros Plaga" (Terranos Baldíos), "Tranki" (Qué Dirán), "Alianza" (Alianza), "Alta Frecuencia Que Cura El Dolor" (Hernán Dolor)

Videos: "Esto es Madrid"    "Whatever"   "Tema De Adrián"   "Perros Plaga"  


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The Monokids

Video "My Baby Left Me" 




Zombina and the Skeletones

Videos "Fiend Without a Face"   "Two Scoops of Brain"




Wednesday, February 11, 2026

The Mean Devils

"Make Up for Lost Time" b/w "Pack 'em up, Stack 'em Up, Rack 'em Up"

(Discos Dinamite)



Now and again, one detects a Mickey and Sylvia "Love is Strange" imprint in "Make Up for Lost Time." Not nearly enough to locate the blissed-out track on copycat real estate, just enough to signal true believer literacy. Flipside "Pack" scorches treads on the Rockabilly lost highway haunted by the Ghost of Dragstrip Hollow. Calendar years are as nothing, 'cause fearsome wildcatism ain't goin' nowhere.

Videos: "Pack 'm Up, Stack 'em Up, Rack 'em Up"   "Make Up for Lost Time"   Live at Hemsby 2025 (9:08)


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The Brainlets

"The Gig"   single

(Self-issued)




Consider the situation of a razor-headed bruiser who, having been battered to the club floor by anonymous bodies in helter-skelter uproar, regains his boots and plunges back into the tattooed, violent fray - wicked grin splitting his mug. 

Headlong raucousness of this ilk induces such gleeful misdoing. 

Video  (live)


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Sunday, February 8, 2026

Cherry & the Sours

"Crocodile Smile"   "Eat You Up"   digital singles

(Melissa Jayne Hernandez)




These cuts are the product of in-action engagement - airy and aburst with hearty pluck. That circumstance endorses; it's where fun is often found. "Crocodile Smile's" feet barely touch pavement, so headlong is the Neo-Rockabilly tune's dash. One all but feels winds jetting past. Matters become markedly different, though, when "Eat You Up," steps forward: shades-drawn sultriness spreads teasingly, instruments pulsing passionate ambiance.

Boom! Boom! Deluxe

"Backseat Bingo"  single

(Self-issued)



Cha-cha rhythms folded into Americana rootsiness demand surrender. Before the mind's eye, hip-dipping, he-and-she pairings lock lidded eyes in dances d'amour. Memories are made of this.

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Sunday, February 1, 2026

Astracán

"Siempre Sale el Sol" b/w "El Futuro"

(Beatclap)



Sure, Milton wrote of Astrakhan. But he neglected to mention slouches, sneers, and buzz-blade barre chords. Charging from speakers is feral evidence of the Forest Hills Carbona-huffers' eternal imprint - the headiness of kicks-amped young guerillas fronted by a nasal wise-ass who rails against maturation. 

This approaching August 12, a total solar eclipse is predicted to sweep Astracán's homeland of Spain. Like they care.

(Full-length Lethal Puberty is scheduled for next month, Friday the 13th issuance.)

Videos: "Siempre Sale el Sol"   "El Futuro"


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Sunday, January 25, 2026

Crown City Bombers

"Toxic Town"   single

(Self-issued)



With matter-of-fact terseness, Bombers' boss man Dave Bertiz relates a dark-truth tale: "Hey little girl gettin' off the bus, you're gonna be a star / You got strung out, you lost your job, well now you won't go far. Hey everybody gather 'round / It's showtime in this Toxic Town." Chugging rockbop makes common cause with his somberness, and is entirely content to monger its mesmerism as poised understatement. Albert Hammond's 1972 radio staple mourned identical dark-side-of-Hollywoodland realities, but lacked the razory soloing Dave deploys with head-turning consequence.


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About Me

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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..