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Wednesday, September 23, 2026

Dogface Bastards

s/t

(Self-issued)



As invigoratingly defiant as rebellion with the cause of Oi! sounds on record, total immersion in the animal comes only for those launching themselves into the snarling, participatory beast; everywhere, bodies fly, tumble, and sprawl, all to tunes blasted by mohawked warriors. L.A.'s Dogface Bastards urge on circle-dance mayhem in wee hours. 

None of the foregoing was meant to dissuade disc purchasers. To the contrary, subjecting eardrums to the raucousness the Dogfaced ones shovel so violently is a fine first step toward the maelstrom.

Recommended: "Dogbite," "Dog Eat Dog," "New Voice of Oi!," "Friday Night," "Do or Bust," "Barking Dogs Don't Bite"

Videos: "Dog Eat Dog" / "New Voice of Oi!" / etc (live)   "Barking Dogs Don't Bite"


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Nothing Less Records

STORENVY

Third Eye Records

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The Hickeys

Demo

(Floating Skull)



A quote attributed to Johnny Ramone: "The quicker you get used to playing in front of people, the better. If you wait until you're 'good enough,' you'll never be good enough." How much coarseness and rudimentary playing here is natural, and how much intentional, is an open query. (Members of this '60s kicks fandango populated schizzing razor outfits like Gnats and Greasy Bitches; some degree of been-there done-that, then, surely applies.) Absence of polish, and eager freshness that isn't above neverminding occasional slapdash miscalculations, are charms not offered by prodigious instrumentalists.

Recommended: "Hickeys," "Melancholie," "Boogie Woogie," "Stinky"

Videos: "Boogie Woogie" (Official video)   "Stinky" (Official video)   Live 2026 (4:02)


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Floating Skull

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Eli 'Paperboy' Reed

Getting There

(Yep Roc)




My understanding is that medical personnel are on standby, poised to attend to listeners mysteriously unmoved by the spectacular Soul and R&B stylings that cut all kinds of loose on the floor. (Their acrobatics are lent piquancy by a brace of stormy brass.) Eli has proved his mettle umpty-hundred times, in a decade's worth of wax. As if his adeptitude -- whether emoting rivetingly at mic or massaging gritty gloriosities from a guitar that's apparently seen many-a midnight -- weren't sufficient to prompt wallet-crackings, Zaniah cameoed, and living legend Swamp Dogg not only ensured audio passageways were kept free of clutter, but participated in the sparkle. 

Recommended: "Every Once in a While," "Asking for a Friend," "Getting There," "Like We Used To," "I Can't Even Walk (Without You Holding My Hand)," "Love You More" (feat. Zaniah), "Knock Knock Memories," "One Man's Trash (Is Another Man's Treasure)" (feat. Swamp Dogg), "The Questions"

Videos: "Every Once in a While"   "Like We Used To" (Official video), "Love You More"   "One Man's Trash (Is Another Man's Treasure)" 


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The X-Raycatz

Die Erste Und Einzige

(Just Another Normal Guy Records)



Had it not been for JANGR's discovery, remastering, and fresh 200-copy issuance of these unreleased tracks, all the world might know of the early '80s Deutschland hearties is the single cut they contributed back then to a compilation. Their in-rash-germination Punkabilly shouts exuberance at its own rumbustiousness. Even in current times, and to ears wise to subsequent Psycho squallings, old-school recklessness offers magnetism all its own.

Recommended: "Do the Bop," "Everywhere," "Rockabilly Cat," "Bad Times," "Racecat," "Boppin' At the Moon," "Hep Cat Dance," "Wild Girl," "Just Be Crazy," "Someday I'll Be a Star"

Videos: promo (3:48)   "Everywhere"   "Hep Cat Dance"   


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Copasetic Records

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Rodrigo Camacho (feat. Pão Com Cebola)

It's truly wondrous, when singers and players load 100% of their passions and talents onto a runaway rocket tune that seizes dead-smitten diggers in happy kidnap.

Video: "Ligue o Rádio"


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Rockin' Bones

Somewhere amidst forbidding foliage on the outskirts of nowhere, beauteous gris-gris spellcasters divert, their talismans and other arcane hex statuary at hand, as Frenchmen of reverb, hipchain, and triple slap thrash pathway through Psychobilly, as practiced by old-school wreckage mongers on planets of which NASA Poindexters know not.

Video: "Death Dance"


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Tom Toxic: All the way to Memphis




For #2 document of the sessions in which German Rockabilly marauder Tom and combo were joined by scads of originals -- whose names are rightly emblazoned in genre literature -- to work up/put down tunes of the affably rowdy sort launched from joints' stages or jukes, back when Ike rested feet on the Oval Office desk. 

The assembled group tore through Sun, Sam Phillips, and Cash Cabin studios, slashing individual tattoo on those storied environs. It's as if Jules Verne had put his time machine in the hands of Memphis' Crown Electric cats, and they'd outfitted the fantastical contrivance with amplifiers, dual pipes, and about 26 gallons of twang.

Only 222 copies of this 10" platter lifted off pressing machinery, and I've theorized a reason why production was so abbreviated: The nine, vintage-fashioned ramblin' jive cuts contained thereon are just plain too likely to burst into wildass flames to risk greater engraved numbers. (I would take exception to that caution, suggesting instead that masses be set free to surrender themselves to dance-party frivolity amid fires. Life is way too brief to fuss about frilly niceties.)

Drop the needle, crank the loudness, and do Eddie's 'stockings and shoes' bit. Complaining neighbors need to mind their own damned affairs.

Excerpts from Tom's extensive liner notes:

"On  Wednesday,  February  22th,  2017,  also  around  6:30  pm,  the  moment  had  finally arrived  -  I  was  standing  in  the  legendary  Sun  Studio, the  destination  of  my  dreams.  I don't think I need to explain to anyone what the Sun Studio is all about."

"The day after our Sun session we arrived at the Sam Philips Recording Studio in the early afternoon, feeling somewhat sleep-deprived. The session the day before was draining and the night was short. The studio we intended to record the other day, is quasi the new Sun Studio, built in 1959 acording to Sam Philips' specifications and still looking today as it did when it first opened...This studio is a real time capsule. You can feel the spirit of that era in every corner, and it was very awe-inspiring to be allowed to record there."

"On February 20, 2017 at around 6:30 PM, the first recording session of the Tennessee Tapes Tour began at the Cash Cabin in Hendersonville. For those who don't know, the Cash Cabin was the Man in Back's private home recording studio for a long time...It still breathes the exceptional spirit of this with every fiber of its wooden planks and every pore of its solid stones."

Recommended: "All Mama's Children," "Here're My Hands," "You've Killed a Friend," "Rock'n'Roll and Beer and Girls," "Trouble Bound," "Don't Go!," "It's a Mess," "My Brother Alcohol," "Never Too Old to Rock'n'Roll"


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No related videos were available at September presstime, sadly, as this disc is scheduled for October issuance.




Sunday, September 20, 2026

Bruce Humphries and the Rockabilly Rebels

s/t

(3 Ring Circus)



Tonight (Saturday, Sept. 19), Bruce and kindred back-alley beat ministers will treat carbonated two-steppers at the Foxtown Annex in Mequon, Wisconsin, to a release party for this wax. Unspooled will  be Rockabilly that pulls one in, maintains its grip, and is proud out loud of ubiquitous rustic blood. The so-damn-good gusto of finger-popping, ankle-flexing rompery beloved by nightspot carousers-in-denim jumps and kicks blue blazes.

Oh, to be in Mequon tonight...

Recommended: "You Can't Fix Stupid," "Groove Baby, Baby," "Giddy-up!," "Hot Damn! I Want Your Girl!," "Flat Busted!," "Baby I Love You," "Ghost Town," "Shoot That Bunny"

Videos: "Can't Fix Stupid"   "Groove Baby, Baby"   "Baby I Love You"   


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Dogwood and the Shakers

s/t

(Self-issued)




Impeccably picked six-string maneuverings shake dust from boot-heels and go to town like the woods are on fire. Nor are cowtown-comfortable guitar calesthenics leader Zander's sole specialty; his direct vocalizing is of everyman quality -- except, of course, not every man can pull it off so admirably. (And wasn't it was decent of him to present only songs of the finest kind?)

Recommended: "I'd Rather Live in a Honky Tonk," "She's Gone," "Left for Dead," "Beneath the Stone," "God Save the Kingdom," "Red Hot," "Goodbye Always"

Videos: "I'd Rather Live in a Honky Tonk"   "Left for Dead"   "Beneath the Stone"


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Lily Unless & the If Onlys

Low & Reckless

(Long Gone Records)



Cain't be no hemmin' n'sich: This here gal got it goin' on -- in the most countrified of manners. And don't you just know, her sweet enunciations and comely trillings wouldn't ring so endearingly, were it not for pick-of-the-litter players plating up musicalizing that regular folks just wanna get real close to. Never nothin' het up. Just easy flowin', like molasses. Hell, I even seen the perfessor from the up the road cuttin' a jig...

Recommended: "Both Feet," "January Jim," "Screwdriver," "Island Off Kentucky," "This One Here," "Nashville"

Videos: "Both Feet" (live)  "January Jim" (live)   "This One Here"


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Roscoe Robinson with Eli 'Paperboy' Reed

Roscoe Robinson Sings Soul - Live at Rockwood Music Hall

(Self-issued)


This digital document of a 2012, New York performance by late Gospel and Soul master Roscoe is now accessible on Bandcamp. All proceeds are to be passed to his family.

It was in early 2026 that 97 year-old Roscoe ascended to Heavenly reward. Backed before an adoring audience by able accompanists -- including remarkable guitarist / singer Eli, whose own new disc will soon enjoy consideration here -- Roscoe pours forth every iota of talent and human passion accrued during some 75 years behind the microphone. 

A dynamic belter who turned songs into experiences that branded great big and spanking authenticity on every eardrum in the place, Roscoe had STYLE in tower-block font.

The sole comfort available to us, given that storied icons like him are departing in increasing numbers, as years go by, is the knowledge that they've left legacies that will continue to inspire. 

The old school will forever be in session.

Recommended: "Ooo Wee Baby (I Love You," "A Thousand Rivers," "How Much Pressure (Do You Think I Can Stand?)," "I Who Have Nothing," "The Last Mile of the Way" (feat. Eli), "Sending Up My Timber," "The Tide of Life," "Search Me Lord" (feat. Eli)," "That's Enough," "Do It Right Now," "Leave You in the Arms of Another Man" (feat. Eli)

Videos:"How Much Pressure (Do You Think I Can Take)" (1966 version)   "Do It Right Now" (1966 version)   "That's Enough" (1976 version)  Songs and memories  (Roscoe and Eli, on occasion of the former's 95th birthday)  


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Don Lang

A 1992 Independent obituary of English combination maestro and spinabout dervish Don (né Gordon Langhorn) was appropriately praiseful: "A natural performer, he could stir an audience to cheers with one of his 300-words-a-minute vocalese workouts, and the next instant pick up his beloved trombone and play a sublime Jazz ballad in the style of his favourite, Bill Harris." Allies the Frantic Five stirred carbonation. To the present day, no one has figured out precisely why the amazingly buoyant "Red Planet Rock" didn't provoke all known spheroids into madcap jumble.

Video: "Red Planet Rock"



Flea Bops

"Crazy Fever" finds the Maryland three cultivating the oh-so-Goneness inherent in low gear; Wendy smolders in absolute Wanda / Janis ardency. Both moderate pace and serious jive-strafing are maintained in "You Can't." As combo banners: "When something's right, it's just flat right."

Videos: "Crazy Fever"   "You Can't Make Me Doubt My Baby"


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Johnny Law and the Pistol Packin' Daddies: Tearin' it up down under


"Australia has an incredibly dedicated Rockabilly, roots and traditional Country audience," Johnny emailed me. "The distances between cities can make touring expensive and complicated, particularly for an independent artist based in Perth, but the people who support this music are extremely loyal."

Johnny Law and the Pistol Packin' Daddies have a reputation for kicking up sparks -- they're in-the-marrow devotees to just-plain-folks sounds spectacular. 

He-and-she duos are compelled to whirl across hardwood beneath colored lights. Solid songs throw one up, down, and all around; the material is part and parcel of the roots scene -- and adherants sporting cat clothes wouldn't dig it any other way.




Shortly prior to the drafting of this piece, Johnny and the Pistol Packin' Daddies released Guilty On All Counts (Apache Productions Australia). It's their fourth full-length in an impressive order.

"The tracks were recorded in Perth by Mark Turner and mastered by Alex Hall at Hi-Style Records in Chicago, Illinois," Johnny related of the new record. "The same studio where The Bellfuries recorded their Workingman’s Bellfuries album."

While the eight cuts on Guilty On All Charges all merit attention, of especial note are “Lovin’ You,” “Biggest Mistake,” “Relationshit,” “Samantha” and “You’re The Reason Why.” (The singer noted that copies can be ordered through Elastic Stage. See link below.)

Johnny is based in Perth, Western Australia. "My music draws heavily from 1950s Rock ’n’ Roll, Rockabilly, traditional Country and Americana, with influences including Johnny Cash, Buddy Holly, Elvis Presley and Dwight Yoakam."

He articulated a rich history, one filled with triumphs.

"I formed Johnny Law & The Pistol Packin’ Daddies in 2001. Since then, we’ve released several albums, toured Europe and the United States, and played festivals and venues around Australia. 

"More recently, we’ve headlined the Crank It Up Festival in Batemans Bay, NSW and the Rock ’n’ Roll Jamboree in Sydney, as well as performing four shows at Cooly Rocks On in Queensland."

Last May, Johnny and the Pistol Packin' Daddies reinvented Tammy Wynette's 1978 "Standing Tall." I commented that their take (not included on Guilty) has all the marks of genuineness, from warm, rich vocals to snapped-tight musicianship of comfortable character. 



"Thank you -- I’m really pleased that the recording came across that way. It actually began as a student project through the School of Audio Engineering in Perth. The students were asked to find bands that could take 'Standing Tall' and reinterpret it in their own style, and one of the students approached me about being involved.

"Rather than trying to reproduce Tammy Wynette’s recording, I reworked the song in the style of Johnny Law & The Pistol Packin’ Daddies. The arrangement and overall approach were what I came up with for the project, and the recording was completed as part of the student’s audio-engineering work."

I asked after reactions it has received.

"The track has never been officially released," he explained. "So there hasn’t been a wider public reaction to it as a digital release. We’ve also never performed it live at one of our shows, which is why there isn’t any live footage or an official video. At this stage, no video is planned, although the interest in the recording has made me think it may deserve a proper release at some point."

The Pistol Packin’ Daddies remain Johnny's main band. But only one outfit just isn't sufficient for creative exercise. "I also perform in different formats depending on the show, including the Johnny Law Trio and Johnny Law & The Wandering Stars when I’m working with musicians on Australia’s east coast. Whatever the lineup, the aim is always the same: honest, energetic music with strong roots in Country and early Rock ’n’ Roll."

In recent days, the busy singer debuted yet another endeavor: Antsville. Johnny advised it is "a gritty trio (sometimes a 4-piece), delivering Rock’n’Roll, Country, and trucker songs built for the open road, late nights, and loud crowds.

"Between Antsville, the Pistol Packin’ Daddies and the different interstate lineups, there is plenty happening," he added.

"On the live front, I’ll be taking the east-coast version of the band, Johnny Law & The Wandering Stars, to Camden Sports Club in Sydney on Friday 9 October and Thornbury Bowling Club in Melbourne on Sunday 11 October."

Fans both seasoned and newly arrived can content themselves that future days will indeed shine.

"After more than 25 years with the Pistol Packin’ Daddies, I’m still excited about recording, travelling and putting new shows together," Johnny rightly boasts. 

"I’ve never been interested in chasing whatever happens to be fashionable. I want to make music that feels real, respects where it came from, and still sounds like Johnny Law!"


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elasticStage

"Standing Tall" (Bandcamp)


Videos: live (29:50 2026)   


Wednesday, September 16, 2026

The Angry Red Planet

Captain...The Klingons have surrounded URANUS!

(Sharawaji Records)


Snort derisively at the 2022 instrumental work's asinine title, and no counterargument will be registered from this quarter. Turning to the contents, though, one finds an entirely other story: Six-string pyrotechnics set off conflagratory spectacularness, adventuring at warp speed and scrambling down unforseen corkscrews. Sensationalistic manners of Psychobilly, Morricone musings, surf hullabalooings, New Delhi bazaars -- and something perhaps answering to descriptor 'RockaPsychedeliaBilly' -- bashthrash from within brainpans hopelessly hooked on Science Fiction stuntery, as 1960s one-lung auteurs force-fed it to drive-in backseat grapplers.

Even were title "Geosynchonous Orbituary" the sole feature that track had going for it, a crown would be merited. But so much more of intriguing consequence throbs within. 

Recommended: "Captain...The Klingons Have Surrounded Uranus," "My Organ (Intro) Trailer Park Rendezvous," "The Crawling Eye," "Ghost Train," "Private Eye," "The Abyssal Ass Fish," "Desert Winds," "Geosynchonous Orbituary"

No video available


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One Night Stand

Trash   EP

(Inconsapevole Records)



To exit the club whisting these frantically tuneful missiles, you'd have to somehow jam amphetemines into your lips. And if some junk-works experimenter found a way to put this hardcore in a syringe, they'd richocet erratically for about two minutes, before littering the room with happy fleshly bits. 

Recommended: "Wrinkled Eyes," "Fear of the Dark (shirt)," "Sweet Lies, Rotten Truth," "From Son to Father," "Again"

Videos: "Wrinkled Eyes"  "From Son to Father"


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Dom Glynn & His Sunday Best

This Fast Life is Killing Me

(DGSB)



Just recently, Dom and dirtroad associates showcased this material during an album release gig at London's Hootenanny Brixton pub and music spot. (And coming months' bookings are plentiful.) Barnworthy musicalizing of this tenor is most frequently characteristic of Honky Tonk veterans and in-demand studio specialists. No sooner does unassuming genuineness strike observers as appropriate to eras in history's rearview, than it occurs that there's no good reason it shouldn't just as properly reign TODAY.

Recommended: "This Fast Life is Killing Me," "If She's an Angel Straight From Heaven (Then I'm a Devil Straight From Hell)," "Life Without Parole," "Mr. Clean and Mr. Mean," "I Loved You, Cigarettes," "Never Smile Again," "The Doghouse (My Second Home)," "Forever Stay the Night"

Video: "This Fast Life is Killing Me"   "Life Without Parole" (live)   "If She's an Angel Straight From Heaven (I'm a Devil Straight From Hell)" (offstage, dual acoustics version)   "Never Smile Again"


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..