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DC Larson's JUKEBOX JURY

Capsule reviews by a jury of one: Iowa journalist/author DC Larson. Rockabilly, Psychobilly, Blues, Alternative, Western Swing, R and B, Punk, Swing, Hillbilly, Glam, Americana. DC Larson's retro science fiction writing blog, from which the Eddie Atomic Space Adventures are available, is RETRO RIFF BOOKS. And his political writings one is AMERICAN SCENE MAGAZINE. Both are also on Blogspot. All original content on these three blogs is under author copyright.

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Wednesday, November 19, 2014

Rockats 
"Rockin' Together" (Lanark)

by
DC Larson




Some cats got it...In my first-hand estimation, the Rockats and Robert Gordon prowled the crest of the 70s/80s revival wave. So it's only fitting that in 2014 they all located at Lanark Records - their presence at the surging upstart imprint elevating it in importance. The original 'Cats are here - world-class singer Dibbs Preston, indefatigable six-string rampager Barry Ryan, ever-boppin' upright-slapper Smutty Smiff, and knock-down-with-precision drummer Lewis King/Curt Weiss. Missing is original second guitarist Tim Scott McConnell, though Texas twang maestro Danny B. Harvey - who'd joined for 1983's "Make That Move" (RCA)  - handily ushers memories whilst helping make new ones. Fresh originals race in that welcome old way. This is how rockabilly should be done: fun, freewheeling, and, at turns, gloriously robust. Small wonder that, like Gordon, the Rockats were the toast of Viva Las Vegas. 

Recommended "Rockin' Together," "Pink and Black Cadillac,"
                          "Red-Headed Rockin' Doll," "Tear the Roof Off,"
                          "Old Hickory Road," "Reckless Rebel," "Bad                                     Love," "The Road To Hell"

https://www.facebook.com/pages/The-Rockats/223175401087003
http"//www.lanarkrecords.com

VIDEO "Pink and Black Cadillac" http://www.youtube.com/watch?v=tujW3gKK4IM



Posted by DC Larson at 8:41 AM No comments:
Levi Dexter
"Roots Man" (Rhythm Bomb / Dextone) 
Levi Dexter and and the Gretsch Brothers
"All Thru the Night" (Indie Japan)

by
DC Larson






Worldwide legend Levi Dexter has two riotous discs to his credit in 2014, and in reaction the crazy rockabilly nightime has burst into endless flame. His famous, authoritative vocals, whether offset by guitarist Buzz Campbell on "Roots Man" or parallel pickers ex-Magic Kenichi Yamaguchi and Katsuo Hino (of Sandra Dee) on "All Thru," resound clearly and with whipcracking passion. When Levi's on, everybody's movin' - though none as marvelously as the stutter-stepping dervish, himself. Truly, a King among kats.

Recommended "Boppin' Bernie," "Roots Man," "Cannibal Party," "Rollin'
                          To the Jukebox Rock," "Move Around"  ("Roots Man")   
                          "Seven Nights To Rock," "You're My Baby,"  "Oakie Boogie,"
                          "Everyday" (w/Gretsch Bros.


LEVI: https://www.facebook.com/groups/519235561484369/
LEVI/GRETSCH BROS. https://www.facebook.com/levidextergretschbrothers
RHYTHM BOMB: http://www.rhythmbomb.com

VIDEO: "Boppin' Bernie" http://youtu.be/unghkXduRcI
VIDEO: "Restless" https://www.facebook.com/video.php?v=381357048691327&set=vb.100004511042990&type=2&theater

Posted by DC Larson at 8:32 AM No comments:

Sunday, November 16, 2014

Robert Gordon/Link Wray
"Cleveland '78" (Rock-A-Billy/Cleopatra)
by 
DC Larson



I'm not sure why, but the band (Gordon/Wray/Jon Paris/Anton Fig) sounds less cohesive, less enthusiastic, on this March '78 live recording than they had some two months prior. (See disc 2 of "Somethin'Else," on Victrola).

Maybe road fatigue. To give them their due, they more often than not deliver powerful rock 'n' roll of the type that blasts into irrelevancy polite cultural standards. And when they are hot, make no mistake, none can compare. 

But the consistency of quality that generally marks Gordon's output is lacking here. This is spotty. 

Completists will want this. For all others, better can be had.    

RECOMMENDED "Lonesome Train," ""The Fool," "My Baby Left Me"


http://www.cleorecs.com

Posted by DC Larson at 1:18 PM No comments:
Robert Gordon
"I'm Coming Home" (Lanark)
by
DC Larson



As an RG fan who first heard The Voice on 1975's "Live at CBGB's" double LP, I couldn't be happier with this disc - a strapping reaffirmation of supremacy.

Robert has for years percolated on undersung releases (like 2006 Last Call disc "Rockin the Paradiso,"  and 2007's "It's Now or Never," on Rykodisc.) For those, he was paired with longtime accompanist Chris Spedding, the world-renowned guitar master.

Here, he's backed by a new line-up, a change that only advances the freshness. Storming guitarist Quentin Jones of the Reach Around Rodeo Clowns, and Lanark impresario, is joined by drummers Dave Ferrara and David Uosikkinen (visiting from the Hooters). Marshall Crenshaw, who contributes "Walk Hard," sits in on guitar for 2 tracks. Veteran Gordon band A-lister Rob Stoner brings the bass on all but one cut (Quentin handles that one), and even picks up a guitar twice. 

Along for the crackling fun joyride are various top-drawer pedal steel, saxophone, and B3 players, as well as ace background vocalists whose presence lends further authority. (Among the ambient voices on one track is Gordon's fellow vocal legend, Rockat Dibbs Preston. Dibbs wrote 2 of the songs, here.)

But Robert is the star of this show. He can blast a lyric or swell majestically to whatever heights are demanded. Indeed, to hear his confidence-to-kill delivery and deep force-of-nature baritone, it's as if the last few decades never happened -- except that they imprinted his voice with substance gained only by good and bad living.

Something I was only beginning to understand as I stood outside a closed 1975 record store, gazing through the plate glass at newly-delivered, shrink-wrapped copies of "Live at CBGB's."       

( One quick prediction: The bouncy, fun "Little Pig" may well become Robert's new "Red Hot," demanded by audiences the world over.)
  


Recommended "I'm Coming Home," "Walk Hard," "Little Pig," "Mountin of Love," "Low Down Weekend," "Under Your Spell Again," "Quit This Big Old Town"

https://www.facebook.com/profile.php?id=100006673967362&fref=ts
http://lanarkrecords.net/

VIDEO "I'm Coming Home" http://www.dailymotion.com/video/x1r2r4v_robert-gordon-i-m-coming-home_music


Posted by DC Larson at 12:23 PM No comments:

Posted by DC Larson at 10:40 AM No comments:

Thursday, November 13, 2014



Resurex
"Dance of the Dead" (Fiendforce/Live Dead)

by

DC Larson

I was not surprised when Resurex leader Daniel Deleon informed me that they'd sold out this disc's first printing, and were arranging another. Their detonative, guitar-to-the-fore horror/punk/
romantic/psycho mash has always enjoyed acclaim. Now even more certain of themselves, the leather-jacketed night-stalkers roam the graveyards of the mind - and tear off enviably melodic racket into the dark bargain.

Recommended "Vampire Kiss," "Dead By Dawn,""Rockin' In Your Coffin," "Return of the Living Dead," "Bride of Frankenstein," "Ghost Town"

BAND PAGE https://www.facebook.com/pages/Rezurex-official-band-page/173657572666475

"Dead By Dawn" VIDEO http://youtu.be/cxcyCEk8ugo

Posted by DC Larson at 3:26 AM No comments:

Monday, October 27, 2014

The Jimmy/Johnny Mobius Riff
by
DC Larson

The Tremors
"Old Fashioned Hillbilly Feud" (Brain Drain)

(IMPORTANT: If you have yet to actually hear the raw, ragged, and manic Tremors, put away these words and get thee to the record store!)


Jimmy Tremor and Johnny Ramone have more in common than battle-scarred pickguards. A lot more.

Johnny had a theory: when a band changed, it got worse, And throughout that seminal NYC punk assault combo's remarkable and lastingly influential oeuvre, buzzsaw-chording commando Johnny fought to keep the Ramones on familiar footing, both image and sound-wise. Some others in (or around) the group might have entertained occasional notions of creative roaming, especially in the 80s, when tastes were in flux and success writ large remained elusive. But Johnny was adamant. The economical shock trooper sound, the leather jackets/jeans uniforms, the surly, 'You-talkin'-to-me?' attitude -- as they had been in the Bowery beginning, so they would remain into Blitzkrieg perpetuity.

Just so, Jimmy Tremor (nee Gardner), leader of North Carolina's hell-bent-for-moonshine hillbilly rockers the Tremors, has ensured that they varied little over the course of 10 years and 5 CDs. There was and is no need; he was right from the start. The feral cats howling at the fractured, midnight blood moon from the red clay tobacco roads of America's lost hick-dimension have stayed true to Jimmy's original vision.

There has been one change: the Tremors grow more confident and able with each exuberant waxing.The title cut and "Cabin Fever" are trademark Tremors; good-timey rampages that just barely stay on the steel. That they never fly from the track is open-faced testament to the band's top-drawer prowess.

Drummer Stretch Armstrong and slap-bassman Slim Perkins wreak one of the surest and most frenetically rollicking rhythms on present offer. The two rock-ribbed stalwarts have been at Jimmy's elbow since 2004 debut Scourge of the South. And better complement cannot be located.

Jimmy's own jittery, impassioned, psychologically-tilted hayseed implorings -- punctuated now and again by strangled yelps recalling Hasil Adkins --  and white lightning-speed treble note squallings reach ever-higher plateaus of backwoods psychosis. (When Jimmy stalks the bass strings on the fevered cover of "Wreck of the Old '97," you'd swear that he'd lost his religion.)

Back to th Mobeus Riff: Watch old Ramones video clips -- the same fierce, possessed, jaw muscle-flexed visage Johnny profferred as he thrashed his Mosrite clenches Jimmy's features, too.

But like Johnny, Jimmy is much more the knowing businessman than his crazed, stage-lit demeanor might suggest, From disc one, he has imprinted the band's output in manifold ways, not only writing most of the songs (or collaborating with Stretch and Slim) and holding down the guitar and lead vocal duties, but also producing, and designing cover art. Jimmy even oversees the band's label, Brain Drain.

Another Jimmy/Johnny similarity can be found in the songs, themselves. Many cross the finish line in less than two minutes. Built for speed, their minimalist constructions allow for unloosed rocketship delivery.

Most importantly, Jimmy and Johnny share the same proudly defiant certainty of identity - of purpose, of direction, of one's only appropriate place in The Scheme - that distinguishes the iconic and crucial maverick driver from the driven rabble that follow.

Because maybe the world digs you and yours, or maybe only the few are hip to the tip, but the point is that it is your Frankenstein. You imagined it, and made it so. You raised it up, a singular noise that delivers bodies old and young into writhing epileptic paroxsyms of carbonated ebullience.

In that spittle-flecked, confessional exhortation lies the truest baring of self. Jimmy, Johnny -- it's a Mobius
thing.



Recommended tracks: "Old Fashioned Hillbilly Feud," "High Time," "Why I Cry," "Cabin Fever," "Wreck of the Old 97"

http://www.tremorsrockabilly.com

VIDEO: http://youtu.be/E3WMVxj7cnA  ("100 Proof Blues Boogie," from previous CD)

TO BUY:
http://www.amazon.com/Old-Fashioned-Hillbilly-Feud-Tremors/dp/B00JWW17R2
http://www.cdbaby.com/cd/thetremors3

Posted by DC Larson at 11:31 AM No comments:
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About Me

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DC Larson
FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..
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