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Showing posts with label Marleybone Records. Show all posts
Showing posts with label Marleybone Records. Show all posts

Sunday, June 21, 2026

Marley Bone

Red Gators

(Marleybone Records)



When this writer terms Marley Bone predictable, that's not intended to be taken as a negative. The truth is a far piece down the road. The combo is a money-in-the-bank proposition: Reliably swinging bopmen that don't want no scufflin', just all-night fun. 

"Neesey" and "Vampire" were previously available as singles. Both were appaised here: "Would that all combos were similarly adept at contriving hushed romanticism. Group vocal eminence floats. Blissful stirrings are brought to a head by womanly radiance," I wrote of "Neesey." 

And of Vampire Orgy: "No one returns to the land of the living from this revelry. Intonations adorning low-gear, chunka-chunka Rockabilly nonchalance articulate a doomful scenario."

Newer material jumps, glides, and stutter-steps with the assurance of a hepster who's been around the block a couple of times, knows what's worth attention, and can deal it out for the pleasure of all at hand.

It's in the bank.

Recommended: "Red Gators," "First in Line," "Neesey Smile," "Vampire Orgy," "Lipstick," "Same Old Swing"

Videos: "Red Gators" (live)   "Neesey Smile"   "Vampire Orgy"   "Same Old Swing"


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Wednesday, February 25, 2026

Marley Bone

"Vampire Orgy"   digital track

(Marleybone Records)


No one returns to the land of the living from this revelry. Intonations adorning low-gear, chunka-chunka Rockabilly nonchalance articulate a doomful scenario. Unsuspecting, flat-gone merrymakers will soon join legions of the blood-thirsting undead, like it or not. Axe strings pounce, here and again. Were instrumentation less precise in its practice - in such leanness, every note must be vital, and herein is - effectiveness would not be so utter. Beats are agile and poised. All is sinister substance. Some 3 minutes in, players shift into a Jazz-accented breakdown during which tasteful turns enchant. Bass steps nimbly. "Then he ruffles her hair, and his fangs are bare / And it's way too late to scream..." A laugh echoes, thunder rumbles, and lids are sealed against rising sun.

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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..