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Showing posts with label Ohio. Show all posts
Showing posts with label Ohio. Show all posts

Wednesday, July 15, 2026

The Psychodelics

Small But Mighty   EP

(Psychodelic Records)



Rising from the lab tilt-table is a creature stitched from outsider stylings. Punk, Psycho, and Rockabilly flesh are joined in crazy-quilt calculations that couldn't seem more torpedo-savory to quiffed wrecking-pit grapplers who have mail delivered to all-night monster-movie marathons.

Recommended: "Small but Mighty," "We'll Never Die," "Talk To the Dead," "Shut Up and Drive," "Good Kitty"

Videos: "Small but Mighty"   "We'll Never Die"   "Good Kitty"


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X (Erik Hinderer, lead guitarist/songwriter)

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Wednesday, March 18, 2026

The Psychodelics

"Shut Up and Drive"   single

(Psychodelic Records)



 

The accompanying video depicts bands' real-life, pre-gig activities: Driving concrete ribbons that criss-cross our land, and unloading cumbersome amps and gear, are occupational hardships not glimpsed by bar patrons. (The present writer knows well the heft of a Marshall speaker cabinet at 3AM.) Behind all that - and countless practice hours, plus abundant out-of-pocket payouts - a hell of a lot of appreciation is owed bands.

Especially when the songs are this bludgeoning.

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Sunday, March 8, 2026

Feral Housecats

Go Feral Yourself!

(Hot Boots Records)



Rock'n'Roll has become a global, multi-billion-greenback corporate behemoth, with its own mega-luminaries tarted up in pricey, designer fashions and a 'money talks' Hall of Fame that excludes actually meritorious sorts of that specified genre in favor of made-to-order Hip Hop gagmen. 

Feral Housecats are an indispensible 'fuck you' to such overblown commodified/domesticated shenanigans, much as was the glorious Punk eruption of the 1970s. There are occasional, unsanded edges here. And that's entirely okay. Rock'n'Roll (as was first germinated, and remains in true believers' hearts) isn't supposed to cover its mouth when sneezing. 

These guys dig to death the cool dirtiness they do. And that truth-in-tuneful-demolition is one matter that separates authentics from counterfeits. Another is outsiderness of the sort that guarantees one's John Hancock never shows up on tea-luncheon invitation scrolls. 

These 11 ditties alternatively scream, lope, mesmerize, and spring forth unstoppably, with each player pounding out 110 percent. Far and away, most rock-'em-sock-'em tracks emanated from the hip pen of guitar/vocals man Greg McGill. (Rounding out this well-turned, no-garage-could-hold-'em ensemble are bassist David Evans, drummer Malcolm Bliss, and guitarist David Auden.) 

Now and again, gestures redolent of classical songs that once hummed from car dashboard radios while he's and she's got down to business find ways into arrangements, but always with idiosyncratic sways. Souls uncrating this thankfully ragged effort, during big-grin appraisals, will dig bits of Contours, Lux Interior and David Byrne (in vocal moments), The Forest Hills pinheads, and Fun Comes In Spurts curl-shooting that's led-wayward wigged-out kids since Roky Erickson first met the 13th Floor Elevators.

Rock'n'Roll should never be welcome in scrupulously polite environs. The humongous thing the calculator crowd has made of our music is of no interest to devotees of the real article. But never forget that all that garbage was built atop sounds rebellious, spirited, and that Feral Housecats heft high the torch.

Recommended: "Gee, I Wish I Could Paint," "I Hope," "Murder in the Basement," "Strong Bones and Sharp Teeth," "I Luv U But I Hate U2," "Something Good," "An FHc's Surfing Theme," "I Shoulda," "Sniper," "Don't Go Home with L. Cohen"

Videos: "Gee, I Wish I Could Paint"   "Strong Bones and Sharp Teeth"   "Sniper"


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Saturday, October 19, 2024

Shane Vain and the Village Vandals

Rubber City Rumblebilly

(Rumble Road Records)



To quote Sir Cliff: "Ballads and Calypso have got nothin' on / real Country music that just drives along!" Carousing in these grooves is Rock'n'Roll all liquored-up and with eyes peeled for kicks. Paraded are devastations from the Akron combo's extant catalog, as well as just-out-of-wrapper "Can't Beat the House." Milquetoasts would scamper from this howl.

Recommended: "Hot Rod Big Rig," "Till That Moon Goes Down," "The Ballad of Large Marge," "It's Not Rocket Science," "How Many Times," "Three-Ton Jack," "Can't Beat the House"

Video: "Hot Rod Big Rig"


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..