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Saturday, January 13, 2024

Batmobile

Big Bat

(B-Music Records)


Scheduled for February reissue is this 2020 disc. The title's allusion is to the legendary threesome being augmented by the Bosco Horns, a six-piece brass combo. Their inclusion in no way dilutes the reliably stern 'billy, instead lending piquance and at times summoning to mind James Bond soundtrack expansiveness. The planned reissue will appear in two formats: a numbered, red-vinyl one (limited to 300 copies), and a mini-CD Digi-Pak.

Recommended: "Transsylvanian Express," "Man With the Shovel," "Walkaway Baby," "Drums a-Go-Go," "Hammering"

Video: "Transsylvanian Express"


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Back In the Day, 2003

Reece Shipley

Tennessee Swing

(Patuxent)



Before and after his WWII Seabee stint, Reece enjoyed acclaim in the Tennessee area's Western Swing environment. Much rich banjo and fiddle-accompanied material compiled here reflects the pacific downhome lilt in vogue before a youthful Elvis crooned "My Happiness" into a Sun microphone. But several cuts do represent the rhythmic bop that soon became Rockabilly. (Included among these is original "Milk Bucket Boogie," later popularized by Red Foley.) Reece bloomed in a musical era when genuine talent was a requisite, itinerant medicine shows trundled, and barn dances dotted the countryside. Before halfpenny clotheshorses hid behind technical gimmickery, lipsynced onstage to sterile tapes, and cavorted with choreographed posses.

Recommended: "Goldmine In the Sky," "In My Adobe Hacienda," "Home," "Someday Sweetheart," "Mexacali Rose," "If No News Is Good News," "Yesterday's Roses," "Catfish Boogie," "Milk Bucket Boogie," "Hillbilly Jive With a Boogie Beat," "

Video: "Catfish Boogie"


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Ricky Rialto and the Green Rats

s/t

(Viva rockabilly radio)



It's true that nothing dramatically novel is done with these revisited chestnuts, but reverential faithfulness is a strength. (Besides, attempting to reimagine much-loved classics can engender catastrophe.) Ricky evinces admirable command, at times imprinting with flair. He's got the sock. The Rats, meanwhile, throw out fitting robustness, including in several instrumental ventures. 

Recommended: "Rockin' Daddy," "Red Cadillac and a Black Moustache," "Rollin' All Around," "The Munsters," "Lonesome Town," "Apache," "Okie Dokie Stomp"

Video: "Rockin' Daddy"


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Wednesday, January 10, 2024

Anti

The Future Is the Past

(Dr. Strange Records)


Such is singer/guitarist Danny Dean's renown that no adjectives need be slung to introduce him. For record buyers of knowledge, it is sufficient to be apprised of his pivotal involvement in this singular project. 

Detailed description follows a retrospective.

The year was 1979, a mere three years after NYC's Ramones had unleashed their iconic debut LP. By that doing, the Forest Hills outsiders had spurred a Rock'n'Roll revolution of global ramifications, one whose tectonic impact will doubtlessly endure into perpetuity.

Still in high school, Southern Californian Danny was among teenagers who found themselves forever altered by the Ramones, as well as by other DIY notables of the era. Similary affected was guitarist Gary Kail (now sadly departed). Danny recalls the two undertook the majority of Anti's efforts, which included everything from managerial duties to promotional ones in addition to gigging. 

In 1980, they founded New Underground Records. The independent enterprise issued Anti LPs as well as numerous other vinyl offerings that illustrated the vibrant South Bay hardcore Punk scene.

As if rocketship savagery wasn't enough, the upstart group also distinguished itself in the region's storied shambolic mileau (which had in addition produced the Circle Jerks and Black Flag), by bannering broadsides against government corruption and news media lies, as well as by protesting warfare and urging world peace. 

"Our goal was to get our music heard," Danny recalled to Punk Globe in December. "We weren't about making money or being famous. We just wanted to help get this new underground music heard by putting out compilations and setting up shows.

"It's unfortunate that being early on the scene, we were outlawed. People didn't want this music in the beginning and didn't understand it. But we had to usher in the new change, the new way of thinking."

Anti's situation in West Coast Punk's zealous vanguard was sweatily earned gig by boisterous gig. And they stand tall in 2023, possessed of unique worth. 

Danny and Anti's original drummer John McCarthy joined with like-minded friends (including ones from Bad Religion, Agent Orange, and Danny's own Homewreckers) to produce 20 new recordings of songs with which Anti effected its now-legendary consequence. 

They storm through succinct and potent compositions with unerring bluntness. Thunderousness of city-leveling capacity, to be sure, but always intelligently designed and executed with productive intent.

Too, their characteristic awareness remains spot-on as ever, acidic observations being pointedly didactic. (Credit is due the politically cognizant Danny, who was Anti's primary song-scribe.) 

We are reminded that quintessential Punk, jaggedly etched with tumultuousness and defiant attitude, is of evergreen relevance. 

This LP comes in numerous colors. The 1982 cover shot came courtesy of Edward Colver; included are other Colver photos from that era.

(Danny recently contacted me via Facebook and spoke of numerous forthcoming releases of both archived group and solo material. Already, 2024 holds promise.)

Tracks: "Shut It Down," "I Try," "I Don't Want To Die In Your War," "Without Love," "Fight War Not Wars," "Backfire Bomber," "My Smile Is a Mask," "Club Me Like a Baby Seal," "Parents Of Punks," "The Divided States Of America," "Up At 4," "Pushed Around," "I Won't Be Coming Back," "Be Free," "The New Underground," "We Live In the Streets," "Nothing New," "Your Problems," "Punk Rock Poseur," "Media Scam"

Video: "I Don't Want To Die In Your War" (From 2023 EP)


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Dr. Strange Records


Monday, January 8, 2024

The Brainiax

Rock'n'Roll Lobotomy

(Ramble Gamble Records)



Having 
emerged victorious from a lengthy battle with their former record-label head (a morally execrable miscreant about whom no more should ever be said), Brainiax regained publishing and streaming control of this 2019 disc. They've now reissued it, so we can forget past unpleasantness and consider its merits. Those are many. Arrangements are sleek, boasting potency and attention-seizing purposefulness. Grim topics lyrically explored may be common to Psychobilly, but their potential for horror movie-type diversion is well realized. The dynamism that so charges the group's live performances animates these studio tracks.

Recommended: "Brainiax Boogie," "Cape Fear," "The Bastard Sun," "Devil Doll," "Hideous Horrific," "Cold Blue Baby"

Video: live (39:07, 2019)


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Hanna Hush

Years

(Jungle Records)



Hanna parcels out roll-back-the-rug jaunts and pensive considerations in generous measures. A polished vocalist who knows well the importance of modulation, she dispenses audaciousness and breathy intonations as befits self-penned compositions. Commendation is also due players whose adroitness proves splendid complement for Hanna's artistry.

Recommended: "Hold On Me," "Hitchhike," "Three Steps To Heaven," "Find Me Again," "FYI," "Healing," "Redemption," "Sinnerman," "Reaper," "Hunters," "City Lights," "Years"

Video: "Hold On Me" (live)


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Mickey Keller & the Spitfires

s/t EP

(Spitcat Records)


As did numerous of their touchstones when Rockabilly was still in the cradle (and referred to as "Hillbilly Bop"), these humble pickers fan the vital flame without a drum in sight. Slap-bass provides percussion, as nimble electric guitar leads garnish rustic offerings and acoustic guitar rhythms fill them out. Pleasantly recalled are simpler days when times were good and innocent fun beckoned.

Recommended: "Gone Baby Gone," "I Am Ready," "Sneaky Pete," "Heartbreaking Love"

Video: "Gone Baby Gone" (live)


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FORMER staff writer for Rockabilly and Pin Up America magazines. FREELANCE credits include Daily Caller, American Thinker, Free Republic, Huffington Post, Counterpunch, Dissident Voice, Independent Political Report, USA Today, Des Moines Register, Iowa City Press-Citizen, Waterloo Courier, Cedar Falls Times, Marshalltown Times Republican, Cincinnati.com, IndyStar, Arizona Republic, No Depression, Goldmine, Blue Suede News, Rock and Rap Confidential, Crackerjack, Blues News, Wrecking Pit, Punk Globe, Prairie Sun, Music and Sound Output, BAM, New Music, and 1980s NYC fanzines Shake, Rattle, and Roll, Rebel Rouser, and Off the Wall. AUTHOR: Shake, Rattle and Rocket!, Ghost Saucers in the Sky!, Stratosphere Boogieman!, Flesh Made Music, That a Man Can Again Stand Up: American spirit vs, sedition during the incipient Trump Revolution, and Ideas Afoot: Political observations, social commentary, and media analyses. WORKED as 2004 Iowa coordinator for Ralph Nader independent presidential campaign; co-founded Iowa Green Party, also served as statewide media coordinator; press coordinator, 2002 Jay Robinson (Green) IA gubernatorial effort. Wrote extensively re Trump campaign..